Wachovia, a Wells Fargo Company, is proud to present The Philadelphia Orchestra's FREE Neighborhood Concert at Dilworth Plaza at Philadelphia’s City Hall.

Enjoy an enchanting evening of classical favorites with The Philadelphia Orchestra at City Hall.

This concert is FREE and open to the public. Seating is general admission, first come, first served.

For more information, please visit www.philorch.org/neighborhood, or call 215.893.1988.

Maestro Charles Dutoit commences his third season as chief conductor of The Philadelphia Orchestra with a program that places a jewel of the violin repertoire against a backdrop of dazzling orchestral showpieces.

Mahler eventually downplayed his First Symphony's literary connections to Jean Paul Richter's The Titan, but the piece retained much of that novel's heroic might and grandeur. At the same time it is deeply human music rooted in the soil, from the folk-inspired opening to the searing, defiant finale.

Mahler eventually downplayed his First Symphony's literary connections to Jean Paul Richter's The Titan, but the piece retained much of that novel's heroic might and grandeur. At the same time it is deeply human music rooted in the soil, from the folk-inspired opening to the searing, defiant finale.

The Free College Concert kicks off The Philadelphia Orchestra's 2010-11 eZseatU program with a night full of celebration and great music. The night is FREE for ALL college students ages 17-30, and features The Philadelphia Orchestra in concert with Chief Conductor Charles Dutoit and world-renowned violinist Joshua Bell, and a post-concert party with food, drinks, live music, and a chance to meet the Orchestra musicians. This is an event not to be missed, so be sure to reserve your ticket today!

From the time he won The Philadelphia Orchestra's Student Competition at the age of 9, pianist André Watts has been a beloved presence among Philadelphia audiences. Renowned for his interpretations of the Romantic repertoire, the Philadelphia-trained pianist brings the serene spirit of Norway to the Verizon Hall stage, in the form of the concerto Grieg composed as homage to his native land. Grieg imbues his work with elements of folk song and even imitations of instruments of his native Norway.

From the time he won The Philadelphia Orchestra's Student Competition at the age of 9, pianist André Watts has been a beloved presence among Philadelphia audiences. Renowned for his interpretations of the Romantic repertoire, the Philadelphia-trained pianist brings the serene spirit of Norway to the Verizon Hall stage, in the form of the concerto Grieg composed as homage to his native land. Grieg imbues his work with elements of folk song and even imitations of instruments of his native Norway.

From the time he won The Philadelphia Orchestra's Student Competition at the age of 9, pianist André Watts has been a beloved presence among Philadelphia audiences. Renowned for his interpretations of the Romantic repertoire, the Philadelphia-trained pianist brings the serene spirit of Norway to the Verizon Hall stage, in the form of the concerto Grieg composed as homage to his native land. Grieg imbues his work with elements of folk song and even imitations of instruments of his native Norway.

Delve deep into the meaning and historical context of this musical work through a stunning visual and musical presentation. Beyond the Score is hosted by Creative Director Gerard McBurney and conducted by Charles Dutoit.

**Please note - due to the nature of the subject matter, graphic historical images and testimonies that may not be suitable for concertgoers under the age of 14 will be included in the presentation.**

In a program highlighting music's connection to other art forms, Maestro Dutoit pairs Prokofiev's Shakespeare-inspired ballet music for Romeo and Juliet with a piece by the timeless French composer Henri Dutilleux that takes Vincent van Gogh's painting Starry Night as a point of departure. With its striking use of 12 cellos at the front of the stage, this remarkably effective piece is part of a season-long celebration of Dutilleux's music and builds on the tradition of Ravel and Debussy and their inspiration from French Impressionist painters.

In a program highlighting music's connection to other art forms, Maestro Dutoit pairs Prokofiev's Shakespeare-inspired ballet music for Romeo and Juliet with a piece by the timeless French composer Henri Dutilleux that takes Vincent van Gogh's painting Starry Night as a point of departure. With its striking use of 12 cellos at the front of the stage, this remarkably effective piece is part of a season-long celebration of Dutilleux's music and builds on the tradition of Ravel and Debussy and their inspiration from French Impressionist painters.

In a program highlighting music's connection to other art forms, Maestro Dutoit pairs Prokofiev's Shakespeare-inspired ballet music for Romeo and Juliet with a piece by the timeless French composer Henri Dutilleux that takes Vincent van Gogh's painting Starry Night as a point of departure. With its striking use of 12 cellos at the front of the stage, this remarkably effective piece is part of a season-long celebration of Dutilleux's music and builds on the tradition of Ravel and Debussy and their inspiration from French Impressionist painters.

Conductor Lionel Bringuier has graciously agreed to lead The Philadelphia Orchestra in its Verizon Hall concerts on October 21, 22, 23, 2010. These performances mark Mr. Bringuier's Philadelphia Orchestra debut. Semyon Byckov, who was originally scheduled to lead these concerts, has regrettably withdrawn due to personal family matters.

Conductor Lionel Bringuier has graciously agreed to lead The Philadelphia Orchestra in its Verizon Hall concerts on October 21, 22, 23, 2010. These performances mark Mr. Bringuier's Philadelphia Orchestra debut. Semyon Byckov, who was originally scheduled to lead these concerts, has regrettably withdrawn due to personal family matters.

Conductor Lionel Bringuier has graciously agreed to lead The Philadelphia Orchestra in its Verizon Hall concerts on October 21, 22, 23, 2010. These performances mark Mr. Bringuier's Philadelphia Orchestra debut. Semyon Byckov, who was originally scheduled to lead these concerts, has regrettably withdrawn due to personal family matters.

Start the Family Concert season with the classic Peter and the Wolf. The enchanting Michael Boudewyns brings to life anew the beloved characters of this charming work. Round out this afternoon of musical stories with three delightful orchestral renditions of Aesop's fables.

Click here for information about our interactive Pre-Concert Adventures held before each Family Concert.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra's musicians as individuals, with their unique talents and musical personalities.

Meet and Mingle

Be there after this concert for a Meet and Mingle in Commonwealth Plaza with Yannick Nézet-Séguin, the next music director of The Philadelphia Orchestra, and Orchestra musicians.

Commonwealth Plaza
The Kimmel Center for the Performing Arts

*This event is open to all ticket holders.

Meet and Mingle

Be there after this concert for a Meet and Mingle in Commonwealth Plaza with Yannick Nézet-Séguin, the next music director of The Philadelphia Orchestra, and Orchestra musicians.

Commonwealth Plaza
The Kimmel Center for the Performing Arts

*This event is open to all ticket holders.

Meet and Mingle

Be there after this concert for a Meet and Mingle in Commonwealth Plaza with Yannick Nézet-Séguin, the next music director of The Philadelphia Orchestra, and Orchestra musicians.

Commonwealth Plaza
The Kimmel Center for the Performing Arts

*This event is open to all ticket holders.

Dutch-born conductor Jaap van Zweden, music director of the Dallas Symphony, leads The Philadelphia Orchestra in Rachmaninoff's Second Symphony, a deeply Russian piece that has been a favorite among local audiences since November 1909--when the composer himself led its Philadelphia Orchestra premiere, the first in a long series of performances with the Orchestra.

Dutch-born conductor Jaap van Zweden, music director of the Dallas Symphony, leads The Philadelphia Orchestra in Rachmaninoff's Second Symphony, a deeply Russian piece that has been a favorite among local audiences since November 1909--when the composer himself led its Philadelphia Orchestra premiere, the first in a long series of performances with the Orchestra.

Dutch-born conductor Jaap van Zweden, music director of the Dallas Symphony, leads The Philadelphia Orchestra in Rachmaninoff's Second Symphony, a deeply Russian piece that has been a favorite among local audiences since November 1909--when the composer himself led its Philadelphia Orchestra premiere, the first in a long series of performances with the Orchestra.

In her Philadelphia Orchestra subscription debut, Orchestra Principal Horn Jennifer Montone presents a rare performance of Strauss's Second Horn Concerto, the first ever by the Orchestra. This wistful homage to the composer's late father, principal horn for the Munich Court Orchestra for nearly 50 years, was written during the composer's last years and is imbued with a retrospective character that contrasts sharply with the buoyant mood of the First Concerto he wrote at age 17.

In her Philadelphia Orchestra subscription debut, Orchestra Principal Horn Jennifer Montone presents a rare performance of Strauss's Second Horn Concerto, the first ever by the Orchestra. This wistful homage to the composer's late father, principal horn for the Munich Court Orchestra for nearly 50 years, was written during the composer's last years and is imbued with a retrospective character that contrasts sharply with the buoyant mood of the First Concerto he wrote at age 17.

In her Philadelphia Orchestra subscription debut, Orchestra Principal Horn Jennifer Montone presents a rare performance of Strauss's Second Horn Concerto, the first ever by the Orchestra. This wistful homage to the composer's late father, principal horn for the Munich Court Orchestra for nearly 50 years, was written during the composer's last years and is imbued with a retrospective character that contrasts sharply with the buoyant mood of the First Concerto he wrote at age 17.

Composer Tan Dun conducts his East meets West piece featuring video of traditional Chinese village music plus his mash-up inspired Internet Symphony No. 1 (“Eroica”).

Spanish-born conductor Rafael Frühbeck de Burgos joins forces with Greek-born violin virtuoso Leonidas Kavakos for one of the most revered concertos in the repertoire. Kavakos, who recently toured Europe with The Philadelphia Orchestra and former Music Director Christoph Eschenbach, has been dubbed "The Violinist of Violinists" by the Strad. Frühbeck, artistic director of the Dresden Philharmonic, has been a favorite locally since his sensational American debut with The Philadelphia Orchestra in 1969.

Spanish-born conductor Rafael Frühbeck de Burgos joins forces with Greek-born violin virtuoso Leonidas Kavakos for one of the most revered concertos in the repertoire. Kavakos, who recently toured Europe with The Philadelphia Orchestra and former Music Director Christoph Eschenbach, has been dubbed "The Violinist of Violinists" by the Strad. Frühbeck, artistic director of the Dresden Philharmonic, has been a favorite locally since his sensational American debut with The Philadelphia Orchestra in 1969.

Spanish-born conductor Rafael Frühbeck de Burgos joins forces with Greek-born violin virtuoso Leonidas Kavakos for one of the most revered concertos in the repertoire. Kavakos, who recently toured Europe with The Philadelphia Orchestra and former Music Director Christoph Eschenbach, has been dubbed "The Violinist of Violinists" by the Strad. Frühbeck, artistic director of the Dresden Philharmonic, has been a favorite locally since his sensational American debut with The Philadelphia Orchestra in 1969.

Based on actual events, this story tells of the great composer's arrival in New York for the grand opening of Carnegie Hall. When construction noise makes it impossible to rehearse and Tchaikovsky finds himself on the street hounded by reporters, he begins a journey of discovery that will lead him to the majestic Niagara Falls. Tchaikovsky describes his experiences: "There's an electric energy in this country . . . all these people, so generous and open-hearted . . . their ideas, their dreams, their music . . .

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra's musicians as individuals, with their unique talents and musical personalities.

For his Philadelphia Orchestra debut, Milan-born conductor Gianandrea Noseda, music director of the Teatro Regio in Turin, teams with American pianist Garrick Ohlsson for the bustling, unconventional Fifth Concerto of Prokofiev, which the composer initially dubbed "Music for Piano and Orchestra." Noseda's performances of the Beethoven symphonies with the BBC Philharmonic generated 1.4 million downloads in a special BBC Radio 3 trial offering called The Beethoven Experience. He opens the program with a tone poem composed during Smetana’s Swedish years and concludes with two beloved Respi

For his Philadelphia Orchestra debut, Milan-born conductor Gianandrea Noseda, music director of the Teatro Regio in Turin, teams with American pianist Garrick Ohlsson for the bustling, unconventional Fifth Concerto of Prokofiev, which the composer initially dubbed "Music for Piano and Orchestra." Noseda's performances of the Beethoven symphonies with the BBC Philharmonic generated 1.4 million downloads in a special BBC Radio 3 trial offering called The Beethoven Experience. He opens the program with a tone poem composed during Smetana’s Swedish years and concludes with two beloved Respi

For his Philadelphia Orchestra debut, Milan-born conductor Gianandrea Noseda, music director of the Teatro Regio in Turin, teams with American pianist Garrick Ohlsson for the bustling, unconventional Fifth Concerto of Prokofiev, which the composer initially dubbed "Music for Piano and Orchestra." Noseda's performances of the Beethoven symphonies with the BBC Philharmonic generated 1.4 million downloads in a special BBC Radio 3 trial offering called The Beethoven Experience. He opens the program with a tone poem composed during Smetana’s Swedish years and concludes with two beloved Respi

Trained in Tehran and at the Juilliard School, Behzad Ranjbaran writes music that is lushly tonal and at the same time draws on the music and culture of his native Iran. His Piano Concerto receives its Philadelphia Orchestra premiere in the hands of the pianist and the conductor for whom it was composed, Jean-Yves Thibaudet and Atlanta Symphony Music Director Robert Spano. Of all the musical compositions inspired by Shakespeare's The Tempest, few have been as unjustly neglected as the incidental music Sibelius produced for a 1926 Copenhagen production.

Trained in Tehran and at the Juilliard School, Behzad Ranjbaran writes music that is lushly tonal and at the same time draws on the music and culture of his native Iran. His Piano Concerto receives its Philadelphia Orchestra premiere in the hands of the pianist and the conductor for whom it was composed, Jean-Yves Thibaudet and Atlanta Symphony Music Director Robert Spano. Of all the musical compositions inspired by Shakespeare's The Tempest, few have been as unjustly neglected as the incidental music Sibelius produced for a 1926 Copenhagen production.

Trained in Tehran and at the Juilliard School, Behzad Ranjbaran writes music that is lushly tonal and at the same time draws on the music and culture of his native Iran. His Piano Concerto receives its Philadelphia Orchestra premiere in the hands of the pianist and the conductor for whom it was composed, Jean-Yves Thibaudet and Atlanta Symphony Music Director Robert Spano. Of all the musical compositions inspired by Shakespeare's The Tempest, few have been as unjustly neglected as the incidental music Sibelius produced for a 1926 Copenhagen production.

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the
Orchestra’s best-selling Christmas album, these concerts are ideal for listeners of all ages and
are sure to put you into the holiday spirit.

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the
Orchestra’s best-selling Christmas album, these concerts are ideal for listeners of all ages and
are sure to put you into the holiday spirit.

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the
Orchestra’s best-selling Christmas album, these concerts are ideal for listeners of all ages and
are sure to put you into the holiday spirit.

The oratorio that Handel penned in 24 days in the summer of 1741 remains a miracle of musical creation, not just because of the speed with which it was composed but because of the unflagging inspiration and extraordinary durability of the result. It gave Handel the ideal opportunity to tell the gospel story in a manner that fused the traditions of English oratorio and German Passion with the lyricism of Italian opera that he knew so well.

On the heels of a triumphant appearance in October, Yannick Nézet-Séguin, the
Orchestra’s music director designate, returns to conduct Mozart’s Requiem for chorus,
soloists, and orchestra.
A piece not heard by Philadelphia Orchestra audiences in 20 years, the Requiem remains a
magnificent torso and the numerous attempts to complete it have only enhanced its mystique.
Hear the final, poignant utterances of one of the greatest musical geniuses ever known.

This performance is sponsored by MEDCOMP.

On the heels of a triumphant appearance in October, Yannick Nézet-Séguin, the
Orchestra’s music director designate, returns to conduct Mozart’s Requiem for chorus,
soloists, and orchestra.
A piece not heard by Philadelphia Orchestra audiences in 20 years, the Requiem remains a
magnificent torso and the numerous attempts to complete it have only enhanced its mystique.
Hear the final, poignant utterances of one of the greatest musical geniuses ever known.

On the heels of a triumphant appearance in October, Yannick Nézet-Séguin, the
Orchestra’s music director designate, returns to conduct Mozart’s Requiem for chorus,
soloists, and orchestra.
A piece not heard by Philadelphia Orchestra audiences in 20 years, the Requiem remains a
magnificent torso and the numerous attempts to complete it have only enhanced its mystique.
Hear the final, poignant utterances of one of the greatest musical geniuses ever known.

Tickets go on sale, Tuesday December 14 at 10:00 AM. On the heels of a triumphant appearance in October, Yannick Nézet-Séguin, the
Orchestra’s music director designate, returns to conduct Mozart’s Requiem for chorus,
soloists, and orchestra.
A piece not heard by Philadelphia Orchestra audiences in 20 years, the Requiem remains a
magnificent torso and the numerous attempts to complete it have only enhanced its mystique.
Hear the final, poignant utterances of one of the greatest musical geniuses ever known.

Conductor Gianandrea Noseda has graciously agreed to lead The Philadelphia Orchestra for this performance.

Donald Runnicles, who was originally scheduled to lead these concerts, has regrettably withdrawn due to acute back pain. Mr. Runnicles has been directed by his doctors not to travel for the next 10 days.

Conductor Gianandrea Noseda has graciously agreed to lead The Philadelphia Orchestra for this performance.

Donald Runnicles, who was originally scheduled to lead these concerts, has regrettably withdrawn due to acute back pain. Mr. Runnicles has been directed by his doctors not to travel for the next 10 days.

Travel the Inca Trail to hear the music of South America and see vivid photography of the region.

Be there before and after the concert in Commonwealth Plaza for activities that bring to life the culture of South America.

Few living composers write as powerfully for orchestra as Christopher Rouse, whom Musical America named its Composer of the Year in 2009. "One of the few whose music will last," runs the now-famous quote by fellow composer John Adams.

Few living composers write as powerfully for orchestra as Christopher Rouse, whom Musical America named its Composer of the Year in 2009. "One of the few whose music will last," runs the now-famous quote by fellow composer John Adams.

Few living composers write as powerfully for orchestra as Christopher Rouse, whom Musical America named its Composer of the Year in 2009. "One of the few whose music will last," runs the now-famous quote by fellow composer John Adams.

The British conductor Jonathan Nott has been praised for his detailed and sophisticated interpretations of a wide range of music. For his Philadelphia Orchestra debut he partners with German-born Swiss pianist Andreas Haefliger in Bartók's sparking, coloristic Third Concerto, penned during the composer's final weeks and given its world premiere after his death by pianist György Sándor and The Philadelphia Orchestra.

The British conductor Jonathan Nott has been praised for his detailed and sophisticated interpretations of a wide range of music. For his Philadelphia Orchestra debut he partners with German-born Swiss pianist Andreas Haefliger in Bartók's sparking, coloristic Third Concerto, penned during the composer's final weeks and given its world premiere after his death by pianist György Sándor and The Philadelphia Orchestra.

The Philadelphia Orchestra returns once again for a performance in the magnificent Academy of Music. Renée Fleming and Paul Simon will appear as its special guests for the Academy of Music 154th Anniversary Concert on Saturday, January 29, 2011. Ms. Fleming, one of the world’s leading opera stars, will join the Orchestra for a program including a selection of beloved arias; Grammy Award-winning singer-songwriter Mr.

Friend of Mahler and Schoenberg, the Austrian composer Franz Schmidt composed two towering masterpieces, The Book of Seven Seals and the Symphony No. 4 of 1932. The latter's plaintive strains are reminiscent at times of Bruckner, at times of Richard Strauss and early Schoenberg.

Friend of Mahler and Schoenberg, the Austrian composer Franz Schmidt composed two towering masterpieces, The Book of Seven Seals and the Symphony No. 4 of 1932. The latter's plaintive strains are reminiscent at times of Bruckner, at times of Richard Strauss and early Schoenberg.

An orchestra is like a collective super-athlete: highly coordinated, intensely trained, and capable of astonishing feats of beauty. So, let's put The Philadephia Orchestra to the test! Let's make them play the most challenging music in the repertoire. Using famous works by Tchaikovsky, Mahler, and others, the Orchestra will play musical examples the wrong way on purpose, to show what's involved in playing them the right way. Experience an orchestral "train wreck," and you might even be chosen to conduct the Orchestra!

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra's musicians as individuals, with their unique talents and musical personalities.

From his pioneering efforts in recordings, television, and new media to his adventurous global outreach efforts like the recent online YouTube Symphony, Michael Tilson Thomas is a musical renaissance man on a scale not seen since the heyday of his late friend, Leonard Bernstein. Pianist, composer, conductor, and multiple Grammy-Award winner, he is currently music director of the San Francisco Symphony and the New World Symphony.

From his pioneering efforts in recordings, television, and new media to his adventurous global outreach efforts like the recent online YouTube Symphony, Michael Tilson Thomas is a musical renaissance man on a scale not seen since the heyday of his late friend, Leonard Bernstein. Pianist, composer, conductor, and multiple Grammy-Award winner, he is currently music director of the San Francisco Symphony and the New World Symphony.

From his pioneering efforts in recordings, television, and new media to his adventurous global outreach efforts like the recent online YouTube Symphony, Michael Tilson Thomas is a musical renaissance man on a scale not seen since the heyday of his late friend, Leonard Bernstein. Pianist, composer, conductor, and multiple Grammy-Award winner, he is currently music director of the San Francisco Symphony and the New World Symphony.

In The Thomashefskys: Music and Memories of a Life in the Yiddish Theater, Michael Tilson Thomas takes the Orchestra and its audiences on a journey to the world of his grandparents, Bessie and Boris Thomashefsky, young immigrants from Eastern Europe who became theater superstars. Pioneers of Yiddish theater in America, the Thomashefskys drew countless authors, composers, actors, and singers to their creative circle and produced an eclectic array of plays and musicals that touched on the key themes of their day.

In Michael Tilson Thomas takes the Orchestra and its audiences on a journey to the world of his grandparents, Bessie and Boris Thomashefsky, young immigrants from Eastern Europe who became theater superstars. Pioneers of Yiddish theater in America, the Thomashefskys drew countless authors, composers, actors, and singers to their creative circle and produced an eclectic array of plays and musicals that touched on the key themes of their day.

She's the Georgian-born violin sensation who at age 16 won the silver medal at the Sibelius International Violin Competition. He's the Russian-born principal conductor of the London Philharmonic, much in demand in the world's opera houses and concert halls, returning again to The Philadelphia Orchestra. Together they tackle Beethoven's smoldering Violin Concerto, which in 1806 established a new monumentality for a genre that had remained light and airy through the 18th century.

She's the Georgian-born violin sensation who at age 16 won the silver medal at the Sibelius International Violin Competition. He's the Russian-born principal conductor of the London Philharmonic, much in demand in the world's opera houses and concert halls, returning again to The Philadelphia Orchestra. Together they tackle Beethoven's smoldering Violin Concerto, which in 1806 established a new monumentality for a genre that had remained light and airy through the 18th century.

She's the Georgian-born violin sensation who at age 16 won the silver medal at the Sibelius International Violin Competition. He's the Russian-born principal conductor of the London Philharmonic, much in demand in the world's opera houses and concert halls, returning again to The Philadelphia Orchestra. Together they tackle Beethoven's smoldering Violin Concerto, which in 1806 established a new monumentality for a genre that had remained light and airy through the 18th century.

James MacMillan has repeatedly won the hearts of Philadelphia Orchestra audiences with a series of brilliantly original yet accessible works--"a composer so confident of his own musical language," wrote the Guardian, "that he makes it instantly communicative to his listeners." The U.S. premiere of his Violin Concerto is one of a series of new works by living composers forming part of the Orchestra's 2010-11 season. The Siberian-born Vadim Repin began his career at age 17 as the youngest winner of the Queen Elisabeth Competition in Brussells.

James MacMillan has repeatedly won the hearts of Philadelphia Orchestra audiences with a series of brilliantly original yet accessible works--"a composer so confident of his own musical language," wrote the Guardian, "that he makes it instantly communicative to his listeners." The U.S. premiere of his Violin Concerto is one of a series of new works by living composers forming part of the Orchestra's 2010-11 season. The Siberian-born Vadim Repin began his career at age 17 as the youngest winner of the Queen Elisabeth Competition in Brussells.

James MacMillan has repeatedly won the hearts of Philadelphia Orchestra audiences with a series of brilliantly original yet accessible works--"a composer so confident of his own musical language," wrote the Guardian, "that he makes it instantly communicative to his listeners." The U.S. premiere of his Violin Concerto is one of a series of new works by living composers forming part of the Orchestra's 2010-11 season. The Siberian-born Vadim Repin began his career at age 17 as the youngest winner of the Queen Elisabeth Competition in Brussells.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra's musicians as individuals, with their unique talents and musical personalities.

One of the most distinctive young American voices is that of Jonathan Leshnoff, a composer still in his 30s, whose music Strings magazine described as "richly tonal" but "quite distinct from anything else that's out there at the moment." Philadelphia Orchestra Principal Flute Jeffrey Khaner presents the world premiere of a flute concerto from the New Jersey native.

One of the most distinctive young American voices is that of Jonathan Leshnoff, a composer still in his 30s, whose music Strings magazine described as "richly tonal" but "quite distinct from anything else that's out there at the moment." Philadelphia Orchestra Principal Flute Jeffrey Khaner presents the world premiere of a flute concerto from the New Jersey native.

One of the most distinctive young American voices is that of Jonathan Leshnoff, a composer still in his 30s, whose music Strings magazine described as "richly tonal" but "quite distinct from anything else that's out there at the moment." Philadelphia Orchestra Principal Flute Jeffrey Khaner presents the world premiere of a flute concerto from the New Jersey native.

Many who love Tchaikovsky's ubiquitous First Piano Concerto may know nothing of his Second. Extroverted, ingeniously constructed, and possibly more demanding for the soloist than the First, it contains some of Tchaikovsky's finest music. British-born, Juilliard-trained pianist Stephen Hough, whose career was launched in 1983 with a Naumburg Competition victory, has become one of its most ardent champions. He is joined by the dynamic Vasily Petrenko in his Philadelphia Orchestra debut.

Many who love Tchaikovsky's ubiquitous First Piano Concerto may know nothing of his Second. Extroverted, ingeniously constructed, and possibly more demanding for the soloist than the First, it contains some of Tchaikovsky's finest music. British-born, Juilliard-trained pianist Stephen Hough, whose career was launched in 1983 with a Naumburg Competition victory, has become one of its most ardent champions. He is joined by the dynamic Vasily Petrenko in his Philadelphia Orchestra debut.

Many who love Tchaikovsky's ubiquitous First Piano Concerto may know nothing of his Second. Extroverted, ingeniously constructed, and possibly more demanding for the soloist than the First, it contains some of Tchaikovsky's finest music. British-born, Juilliard-trained pianist Stephen Hough, whose career was launched in 1983 with a Naumburg Competition victory, has become one of its most ardent champions. He is joined by the dynamic Vasily Petrenko in his Philadelphia Orchestra debut.

Stéphane Denève, music director of the Royal Scottish National Orchestra, focuses on France with music by three major French composers, and a concerto with a French connection. British keyboard sensation Imogen Cooper performs Mozart's "Jenamy" Concerto, penned by the 21-year-old composer for his French friend Victoire Jenamy and seen by many as a watershed in Mozart's output. Dutilleux's Métaboles is a sort of miniature concerto for orchestra, with each of its "movements" dominated by a different orchestral section.

Stéphane Denève, music director of the Royal Scottish National Orchestra, focuses on France with music by three major French composers, and a concerto with a French connection. British keyboard sensation Imogen Cooper performs Mozart's "Jenamy" Concerto, penned by the 21-year-old composer for his French friend Victoire Jenamy and seen by many as a watershed in Mozart's output. Dutilleux's Métaboles is a sort of miniature concerto for orchestra, with each of its "movements" dominated by a different orchestral section.

Stéphane Denève, music director of the Royal Scottish National Orchestra, focuses on France with music by three major French composers, and a concerto with a French connection. British keyboard sensation Imogen Cooper performs Mozart's "Jenamy" Concerto, penned by the 21-year-old composer for his French friend Victoire Jenamy and seen by many as a watershed in Mozart's output. Dutilleux's Métaboles is a sort of miniature concerto for orchestra, with each of its "movements" dominated by a different orchestral section.

Bringing together the magic of music and theater, The Philadelphia Orchestra and Enchantment Theatre Company take you on a captivating journey though 1001 Arabian Nights. Masks, puppets, music, and movement evoke this dramatic story. Sheherazade's tales are told to heal her king and to save his kingdom. Through these fantastic stories, the king experiences adventures both great and small and discovers his true capacity to love.

Haydn at his darkest meets Mozart at his sunniest in the first half of this program, featuring Canadian-born Philadelphian Marc-André Hamelin and led by Munich-born Jun Märkl-protégée of Celibidache, Bernstein, and Ozawa; music director of the Orchestre National de Lyon; and principal conductor and artistic director of Leipzig's MDR Symphony. With its morose, sturm und drang opening and its odd minuet "in canon," Haydn's Symphony is a perfect foil to the joyous Allegro and dashing theme-and-variations of Mozart's Concerto. In this context, Beethoven's youthful, Mozartean Symphony No.

Haydn at his darkest meets Mozart at his sunniest in the first half of this program, featuring Canadian-born Philadelphian Marc-André Hamelin and led by Munich-born Jun Märkl-protégée of Celibidache, Bernstein, and Ozawa; music director of the Orchestre National de Lyon; and principal conductor and artistic director of Leipzig's MDR Symphony. With its morose, sturm und drang opening and its odd minuet "in canon," Haydn's Symphony is a perfect foil to the joyous Allegro and dashing theme-and-variations of Mozart's Concerto. In this context, Beethoven's youthful, Mozartean Symphony No.

Haydn at his darkest meets Mozart at his sunniest in the first half of this program, featuring Canadian-born Philadelphian Marc-André Hamelin and led by Munich-born Jun Märkl-protégée of Celibidache, Bernstein, and Ozawa; music director of the Orchestre National de Lyon; and principal conductor and artistic director of Leipzig's MDR Symphony. With its morose, sturm und drang opening and its odd minuet "in canon," Haydn's Symphony is a perfect foil to the joyous Allegro and dashing theme-and-variations of Mozart's Concerto. In this context, Beethoven's youthful, Mozartean Symphony No.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra's musicians as individuals, with their unique talents and musical personalities.

In April 2011 the Kimmel Center launches the first annual Philadelphia International Festival of the Arts, a month-long, citywide arts festival involving all eight Kimmel Center resident companies focused on early-20th-century Paris. The Philadelphia Orchestra opens the festival with a program of two masterpieces from the first decades of that century.

In April 2011 the Kimmel Center launches the first annual Philadelphia International Festival of the Arts, a month-long, citywide arts festival involving all eight Kimmel Center resident companies focused on early-20th-century Paris. The Philadelphia Orchestra opens the festival with a program of two masterpieces from the first decades of that century.

In April 2011 the Kimmel Center launches the first annual Philadelphia International Festival of the Arts, a month-long, citywide arts festival involving all eight Kimmel Center resident companies focused on early-20th-century Paris. The Philadelphia Orchestra opens the festival with a program of two masterpieces from the first decades of that century.

Sacred and profane, heaven and hell comingle in this pairing of Mahler's Fourth--with its finale derived from the composer's own song "Heavenly Life"--and a suite of densely colorful music from Berg's gruesome, tawdry operatic masterpiece. Longtime Philadelphia Orchestra favorite David Zinman continues the Orchestra's contributions to the first annual Philadelphia International Festival of the Arts with two works that could hardly be more different. At the end of Mahler's Symphony, a soprano chimes in with a sublime, childlike song in which angels bake bread, St. Peter goes fishing, and St.

Sacred and profane, heaven and hell comingle in this pairing of Mahler's Fourth--with its finale derived from the composer's own song "Heavenly Life"--and a suite of densely colorful music from Berg's gruesome, tawdry operatic masterpiece. Longtime Philadelphia Orchestra favorite David Zinman continues the Orchestra's contributions to the first annual Philadelphia International Festival of the Arts with two works that could hardly be more different. At the end of Mahler's Symphony, a soprano chimes in with a sublime, childlike song in which angels bake bread, St. Peter goes fishing, and St.

Sacred and profane, heaven and hell comingle in this pairing of Mahler's Fourth--with its finale derived from the composer's own song "Heavenly Life"--and a suite of densely colorful music from Berg's gruesome, tawdry operatic masterpiece. Longtime Philadelphia Orchestra favorite David Zinman continues the Orchestra's contributions to the first annual Philadelphia International Festival of the Arts with two works that could hardly be more different. At the end of Mahler's Symphony, a soprano chimes in with a sublime, childlike song in which angels bake bread, St. Peter goes fishing, and St.

Two of Stravinsky's most searing mythological compositions were written back-to-back during the 1920s, when his music was adopting a new clarity of structure and texture--a style now called Neoclassicism. Maestro Charles Dutoit and The Philadelphia Orchestra continue their contribution to the first annual Philadelphia International Festival of the Arts with two masterworks from early-20th century Paris.

Two of Stravinsky's most searing mythological compositions were written back-to-back during the 1920s, when his music was adopting a new clarity of structure and texture--a style now called Neoclassicism. Maestro Charles Dutoit and The Philadelphia Orchestra continue their contribution to the first annual Philadelphia International Festival of the Arts with two masterworks from early-20th century Paris.

Two of Stravinsky's most searing mythological compositions were written back-to-back during the 1920s, when his music was adopting a new clarity of structure and texture--a style now called Neoclassicism. Maestro Charles Dutoit and The Philadelphia Orchestra continue their contribution to the first annual Philadelphia International Festival of the Arts with two masterworks from early-20th century Paris.

Charlotte Blake Alston guides this tour of composers and painters expressing the world around them through sounds and colors. Pablo Picasso lived and painted in Paris during one of the city's most creative periods in history, drawing inspiration from his Spanish heritage and the world around him. Step into the vibrant world of Picasso and Paris with this delightful exploration of the intersections between art and music.

from Locust to Pine Streets as of 1:00 PM on Friday, April 29, and closed from Chestnut to Lombard Streets as of 1:00 AM Saturday, April 30.

The terrified 19-year-old Shostakovich could not eat, drink, or sleep the night before his First Symphony received its premiere in 1926. It was a wild success, with the Leningrad audience demanding a reprise of the Scherzo.

The terrified 19-year-old Shostakovich could not eat, drink, or sleep the night before his First Symphony received its premiere in 1926. It was a wild success, with the Leningrad audience demanding a reprise of the Scherzo.

The 2011 Marian Anderson Award Gala honoring actress/humanitarian Mia Farrow will be hosted by Kennedy Center Honors recipient, and Philadelphia’s own, Judith Jamison, artistic director of the world renowned Alvin Ailey American Dance Theater. The Philadelphia Orchestra will be center stage under the baton of Maestro Cristian Macelaru and joining the Orchestra as a guest performer will be another Philadelphia favorite, one of the great stars of opera, soprano Angela Brown.

One of the most significant violin talents of our time, American-born Gil Shaham has been praised by Strings magazine for his virtuosity and his "innate musicality and beautiful, expressive tone, which can glow like bronze and shimmer like gold." Winner of an Avery Fisher Career Grant, multiple Grammy awards, and the 2008 Avery Fisher Prize, Shaham presents Walton's Violin Concerto, commissioned by Jascha Heifetz and structured similarly to the composer's better-known Viola Concerto.

One of the most significant violin talents of our time, American-born Gil Shaham has been praised by Strings magazine for his virtuosity and his "innate musicality and beautiful, expressive tone, which can glow like bronze and shimmer like gold." Winner of an Avery Fisher Career Grant, multiple Grammy awards, and the 2008 Avery Fisher Prize, Shaham presents Walton's Violin Concerto, commissioned by Jascha Heifetz and structured similarly to the composer's better-known Viola Concerto.

One of the most significant violin talents of our time, American-born Gil Shaham has been praised by Strings magazine for his virtuosity and his "innate musicality and beautiful, expressive tone, which can glow like bronze and shimmer like gold." Winner of an Avery Fisher Career Grant, multiple Grammy awards, and the 2008 Avery Fisher Prize, Shaham presents Walton's Violin Concerto, commissioned by Jascha Heifetz and structured similarly to the composer's better-known Viola Concerto.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra's musicians as individuals, with their unique talents and musical personalities.

Composed a century apart, Stravinsky's Symphony of Psalms and Beethoven's Ninth Symphony both share a sense of pushing the symphonic genre into new areas, in both cases partly through the inclusion of chorus. But while Beethoven's final work in the genre bears an outwardly "symphonic" structure--four movements and a big finale--Stravinsky's from 1930 feels more oratorio-like. "It is not a symphony in which I have included Psalms to be sung," Stravinsky said.

Composed a century apart, Stravinsky's Symphony of Psalms and Beethoven's Ninth Symphony both share a sense of pushing the symphonic genre into new areas, in both cases partly through the inclusion of chorus. But while Beethoven's final work in the genre bears an outwardly "symphonic" structure--four movements and a big finale--Stravinsky's from 1930 feels more oratorio-like. "It is not a symphony in which I have included Psalms to be sung," Stravinsky said.

Composed a century apart, Stravinsky's Symphony of Psalms and Beethoven's Ninth Symphony both share a sense of pushing the symphonic genre into new areas, in both cases partly through the inclusion of chorus. But while Beethoven's final work in the genre bears an outwardly "symphonic" structure--four movements and a big finale--Stravinsky's from 1930 feels more oratorio-like. "It is not a symphony in which I have included Psalms to be sung," Stravinsky said.

Composed a century apart, Stravinsky's Symphony of Psalms and Beethoven's Ninth Symphony both share a sense of pushing the symphonic genre into new areas, in both cases partly through the inclusion of chorus. But while Beethoven's final work in the genre bears an outwardly "symphonic" structure--four movements and a big finale--Stravinsky's from 1930 feels more oratorio-like. "It is not a symphony in which I have included Psalms to be sung," Stravinsky said.

At once operatic, oratorio-like, even cinematic, The Damnation of Faust is perhaps Berlioz's masterpiece, a légende dramatique (in his words) that he spent the better part of his life creating. Maestro Charles Dutoit, a peerless exponent of the works of Berlioz, has led performances of the composer's Goethe-inspired Faust worldwide that are the stuff of legend. He concludes his third season as chief conductor of The Philadelphia Orchestra with concert performances of the piece, part of his continuing cycle of Berlioz's major work with the ensemble.

At once operatic, oratorio-like, even cinematic, The Damnation of Faust is perhaps Berlioz's masterpiece, a légende dramatique (in his words) that he spent the better part of his life creating. Maestro Charles Dutoit, a peerless exponent of the works of Berlioz, has led performances of the composer's Goethe-inspired Faust worldwide that are the stuff of legend. He concludes his third season as chief conductor of The Philadelphia Orchestra with concert performances of the piece, part of his continuing cycle of Berlioz's major work with the ensemble.

Join in the festivities of the opening night celebration of The Philadelphia Orchestra residency. Carl Orff’s powerful and dramatic Carmina Burana promises an evening to remember. Filling the Mann’s grand stage, a great orchestra, bold chorus, and soloists of international acclaim (frequent stars of the Metropolitan Opera) will all be led by Maestro Guerrero. There is no better place to experience the raw majesty and earthly delights of Carmina Burana than in the great outdoor setting at the Mann.

This eagerly awaited concert is a longtime honored Philadelphia tradition and favorite! The ever popular 1812 Overture complete with cannons and fireworks rounds out an all Tchaikovsky evening showcasing one of his most beloved Ballets, his sweeping and majestic Sleeping Beauty Ballet Suite. Hear the young virtuoso violinist, Nadir Khashimov, an award-winning Curtis Institute of Music student, dazzle the audience with his breathtaking music-making in his Mann debut performance – Don’t miss this legend of tomorrow!

Down the Abbey Road is the evolution of one the most iconic albums of all time--the ambitious and elegant final recording (1969) that is the crowning achievement of the Beatles’ artistry. Brought to the concert stage from first note to last, this live version of The Beatles’ masterwork is an energetic and joyful collaboration between seven-time Grammy nominee Joan Osborne, Grammy-award winner Rodney Crowell, the virtuosic and eclectic Americana ensemble James Nash and the NashVillains, and The Philadelphia Orchestra.

This summer join the Philadelphia Orchestra for an evening of classics under the stars at Longwood Gardens in Kennett Square, PA. Beethoven’s Fifth Symphony, Violin Concerto No. 1 by Bruch, and Emperor Waltz by Strauss will be included on the program during this thrilling performance. Concert Master David Kim will bring the Longwood Meadow to life during his spellbinding violin solo. Longwood’s Meadow offers guests the choice of either reserved or lawn seating.

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Wells Fargo continues its commitment to The Philadelphia Orchestra Neighborhood Concerts as presenting sponsor for the eighth consecutive year.

Please note the Penn’s Landing 6:30 PM concert start time reflects a change from a previously published earlier time for logistical reasons.

This concerts is FREE and open to the public. Seating is general admission and first come, first served. Seating for this concert will be outdoors. We encourage you to bring your blankets and chairs to enjoy an evening with The Philadelphia Orchestra.

Don't miss this year's FREE Concert for College Students! Come out for a night of festivities at the Kimmel Center featuring The Philadelphia Orchestra in concert with violinist Leila Josefowicz, pre-concert activities, and a post-concert party with food, drinks, and live music from a local band!

All ticket-holders must be full-time college students and present a valid student ID with printed ticket on the night of the concert. Tickets are general admission and seating is subject to availability.

eZseatU is made possible with support from PNC Arts Alive.

Maestro Charles Dutoit ignites the start of his final season as chief conductor with the breathless "Classical" Symphony of Prokofiev. Beethoven's propulsive Seventh Symphony completes the program, which also features violinist Julian Rachlin in the shimmering Violin Concerto by Sibelius.

Maestro Charles Dutoit ignites the start of his final season as chief conductor with the breathless "Classical" Symphony of Prokofiev. Beethoven's propulsive Seventh Symphony completes the program, which also features violinist Julian Rachlin in the shimmering Violin Concerto by Sibelius.

Maestro Charles Dutoit ignites the start of his final season as chief conductor with the breathless "Classical" Symphony of Prokofiev. Beethoven's propulsive Seventh Symphony completes the program, which also features violinist Julian Rachlin in the shimmering Violin Concerto by Sibelius.

A true mega-star of the musical world, Lang Lang celebrates the 200th birthday of Franz Liszt, performing his fiery Piano Concerto No. 1.

A true mega-star of the musical world, Lang Lang performs Beethoven's elegant Piano Concerto No. 2 and Dutoit presents the riveting and powerful Symphony No. 10 of Shostakovich.

A true mega-star of the musical world, Lang Lang celebrates the 200th birthday of Franz Liszt, performing his fiery Piano Concerto No. 1.

This performance will be offered in high definition across NCM Fathom’s Digital Broadcast Network (DBN) in hundreds of locations. Visit www.FathomEvents.com for more information.

Philadelphia Orchestra musicians perform your favorite spooktacular classics, including Wagner's "The Ride of the Valkyries" and Grieg's "In the Hall of the Mountain King." Haunting harmonies and mysterious melodies turn Verizon Hall into a chilling chamber of Halloween fright and delight. The Orchestra will be in their best costumes, so dress your family in theirs, too! Experience the excitement and enchantment of classical music at its ghoulish best.

To 19th-century Germans, England was famously "the land without music." There had been no British composers of distinction for 200 years. So, when suddenly and unexpectedly an obscure provincial musician named Edward Elgar brought forth a strange orchestral piece--a set of variations on an unknown theme in which each movement was a portrait of one of his friends--it was a matter for astonishment, an enigma indeed. "Here," declared one critic, "is a man who knows what he wants to say and knows how to say it!"

Beyond the Score® is produced by the Chicago Symphony Orchestra

Exactly what is Elgar's "enigma?" We may never know. But we can still enjoy these 14 charming variations on a theme that Elgar composed "to my friends pictured within." And Gautier Capuçon makes his Philadelphia Orchestra subscription debut with Schumann's noble Cello Concerto.

Exactly what is Elgar's "enigma"? We may never know. But we can still enjoy these 14 charming variations on a theme that Elgar composed "to my friends pictured within." And Gautier Capuçon makes his Philadelphia Orchestra subscription debut with Schumann's noble Cello Concerto.

Members of the Orchestra perform chamber music masterworks by Beethoven and Mozart.

Brahms called this his "Human Requiem." He affirms a universal message of hope with some of his most glorious music as Yannick continues his exploration of the great requiems.

Brahms called this his "Human Requiem." He affirms a universal message of hope with some of his most glorious music as Yannick continues his exploration of the great requiems.

Music Director Designate Yannick Nézet-Séguin steps forward to increase his time with The Philadelphia Orchestra and its audiences in 2011-12. Yannick now leads the Orchestra in this Italian-themed program.

Music Director Designate Yannick Nézet-Séguin steps forward to increase his time with The Philadelphia Orchestra and its audiences in 2011-12. Yannick now leads the Orchestra in this Italian-themed program.

Music Director Designate Yannick Nézet-Séguin steps forward to increase his time with The Philadelphia Orchestra and its audiences in 2011-12. Yannick now leads the Orchestra in this Italian-themed program.

Jurowski leads the massive symphonic forces of Shostakovich's "Leningrad"--the composer's powerful tribute to his beloved hometown under siege.

Jurowski leads the massive symphonic forces of Shostakovich's "Leningrad"--the composer's powerful tribute to his beloved hometown under siege.

Jurowski leads the massive symphonic forces of Shostakovich's "Leningrad"--the composer's powerful tribute to his beloved hometown under siege.

Introducing toddlers ages 3 to 5 to the instruments of the Orchestra: Double Bass.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater.

Maestro Christoph Eschenbach returns to The Philadelphia Orchestra to lead two contrasting Beethoven symphonies--the classical whimsy of the Fourth is contrasted against the more sardonic and humorous Eighth. Curtis graduate Jennifer Koh performs Bruch's youthful yet expressive Violin Concerto No. 1.

Maestro Christoph Eschenbach returns to The Philadelphia Orchestra to lead two contrasting Beethoven symphonies--the classical whimsy of the Fourth is contrasted against the more sardonic and humorous Eighth. Curtis graduate Jennifer Koh performs Bruch's youthful yet expressive Violin Concerto No. 1.

Maestro Christoph Eschenbach returns to The Philadelphia Orchestra to lead two contrasting Beethoven symphonies--the classical whimsy of the Fourth is contrasted against the more sardonic and humorous Eighth. Curtis graduate Jennifer Koh performs Bruch's youthful yet expressive Violin Concerto No. 1.

Jazz. Spirituals. Native-American rhythms. These sounds echo through the vibrant cities and across the vast landscapes of the Americas. Principal Clarinet Ricardo Morales is featured in the Copland Clarinet Concerto, originally written for Benny Goodman.

Jazz. Spirituals. Native-American rhythms. These sounds echo through the vibrant cities and across the vast landscapes of the Americas. Principal Clarinet Ricardo Morales is featured in the Copland Clarinet Concerto, originally written for Benny Goodman.

Jazz. Spirituals. Native-American rhythms. These sounds echo through the vibrant cities and across the vast landscapes of the Americas. Principal Clarinet Ricardo Morales is featured in the Copland Clarinet Concerto, originally written for Benny Goodman.

Yannick celebrates two great Philadelphia Orchestra premieres--Rachmaninoff's Rhapsody on a Theme of Paganini (1934), which became one of the most famous works written in the 20th century, and Jennifer Higdon's Concerto for Orchestra (2002), one of the most successful works of the 21st century. It's Yannick, Jennifer Higdon, and the music of Philadelphia together in a remarkable partnership.

Yannick celebrates two great Philadelphia Orchestra premieres--Rachmaninoff's Rhapsody on a Theme of Paganini (1934), which became one of the most famous works written in the 20th century, and Jennifer Higdon's Concerto for Orchestra (2002), one of the most successful works of the 21st century. It's Yannick, Jennifer Higdon, and the music of Philadelphia together in a remarkable partnership.

Yannick celebrates two great Philadelphia Orchestra premieres--Rachmaninoff's Rhapsody on a Theme of Paganini (1934), which became one of the most famous works written in the 20th century, and Jennifer Higdon's Concerto for Orchestra (2002), one of the most successful works of the 21st century. It's Yannick, Jennifer Higdon, and the music of Philadelphia together in a remarkable partnership.

Yannick celebrates two great Philadelphia Orchestra premieres--Rachmaninoff's Rhapsody on a Theme of Paganini (1934), which became one of the most famous works written in the 20th century, and Jennifer Higdon's Concerto for Orchestra (2002), one of the most successful works of the 21st century. It's Yannick, Jennifer Higdon, and the music of Philadelphia together in a remarkable partnership.

Named for the Orchestra's best-selling Christmas album, these concerts are ideal for listeners of all ages and are sure to put you into the holiday spirit!

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the Orchestra's best-selling Christmas album, these concerts are ideal for listeners of all ages and are sure to put you into the holiday spirit!

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the Orchestra's best-selling Christmas album, these concerts are ideal for listeners of all ages and are sure to put you into the holiday spirit!

Messiah has been an annual Orchestra tradition since 1961. Start your holiday tradition with The Philadelphia Orchestra today.

Start your New Year’s celebration in style with The Philadelphia Orchestra. Celebrate the timeless music of old Vienna in an evening of music and dance inspired by the legendary waltzes.

It's fate knocking at the door. The beginning four notes of Beethoven's Fifth are the most poignant ever written. David Zinman brings his own unique interpretive style to the work, including the brisk tempos Beethoven indicated, and a period-informed approach to orchestral sound. Walton's extremely challenging Viola Concerto will be in the virtuosic hands of Philadelphia Orchestra Principal Viola Choong-Jin Chang.

It's fate knocking at the door. The beginning four notes of Beethoven's Fifth are the most poignant ever written. David Zinman brings his own unique interpretive style to the work, including the brisk tempos Beethoven indicated, and a period-informed approach to orchestral sound. Walton's extremely challenging Viola Concerto will be in the virtuosic hands of Philadelphia Orchestra Principal Viola Choong-Jin Chang.

It's fate knocking at the door. The beginning four notes of Beethoven's Fifth are the most poignant ever written. David Zinman brings his own unique interpretive style to the work, including the brisk tempos Beethoven indicated, and a period-informed approach to orchestral sound. Walton's extremely challenging Viola Concerto will be in the virtuosic hands of Philadelphia Orchestra Principal Viola Choong-Jin Chang.

The youthful Robin Ticciati, already featured on the world's greatest stages, leads Sibelius's sweeping Second Symphony in his Philadelphia Orchestra debut. The elegance and beauty of Arabella Steinbacher's musicianship is featured in Beethoven's soaring Violin Concerto.

The youthful Robin Ticciati, already featured on the world's greatest stages, leads Sibelius's sweeping Second Symphony in his Philadelphia Orchestra debut. The elegance and beauty of Arabella Steinbacher's musicianship is featured in Beethoven's soaring Violin Concerto.

The youthful Robin Ticciati, already featured on the world's greatest stages, leads Sibelius's sweeping Second Symphony in his Philadelphia Orchestra debut. The elegance and beauty of Arabella Steinbacher's musicianship is featured in Beethoven's soaring Violin Concerto.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

Blomstedt is a leading interpreter of the works of Beethoven, presenting the triumphal "Eroica" Symphony and the noble Third Piano Concerto. These mark his first appearances with the Orchestra since 2006.

Blomstedt is a leading interpreter of the works of Beethoven, presenting the triumphal "Eroica" Symphony and the noble Third Piano Concerto. These mark his first appearances with the Orchestra since 2006.

Blomstedt is a leading interpreter of the works of Beethoven, presenting the triumphal "Eroica" Symphony and the noble Third Piano Concerto. These mark his first appearances with the Orchestra since 2006.

Did Mahler foresee the personal tragedy that was about to sweep across his life amid a successful career? The dramatic and fateful music of his Sixth Symphony--depicted by forceful hammer blows and large brass chorales--eerily portends the heartbreak that would soon enter his world. Yannick contrasts the scope of this impressive symphony with the intimate setting of Bach's Brandenburg Concerto No. 5, which he will lead from the harpsichord.

Did Mahler foresee the personal tragedy that was about to sweep across his life amid a successful career? The dramatic and fateful music of his Sixth Symphony--depicted by forceful hammer blows and large brass chorales--eerily portends the heartbreak that would soon enter his world. Yannick contrasts the scope of this impressive symphony with the intimate setting of Bach's Brandenburg Concerto No. 5, which he will lead from the harpsichord.

The luminous orchestration of spins an ages-old Arabian tale. And an audience favorite since her Philadelphia Orchestra debut at age 10, Nadja Salerno-Sonnenberg performs the daring Shostakovich Violin Concerto No. 1, in Luisotti's Philadelphia Orchestra debut.

The luminous orchestration of spins an ages-old Arabian tale. And an audience favorite since her Philadelphia Orchestra debut at age 10, Nadja Salerno-Sonnenberg performs the daring Shostakovich Violin Concerto No. 1, in Luisotti's Philadelphia Orchestra debut.

The luminous orchestration of spins an ages-old Arabian tale. And an audience favorite since her Philadelphia Orchestra debut at age 10, Nadja Salerno-Sonnenberg performs the daring Shostakovich Violin Concerto No. 1, in Luisotti's Philadelphia Orchestra debut.

What happens when a "madman" moves upstairs? Embark on the story of young Christoph and discover the genius of master composer Ludwig van Beethoven.

Grammy Award-winning violinist James Ehnes returns with Mendelssohn's beloved Violin Concerto. Individual members of the Orchestra are highlighted throughout the program in Bartók's masterpiece, the Concerto for Orchestra, and the winds are imaginatively featured in Martin's Concerto for Seven Winds. A Philadelphia night to remember.

Grammy Award-winning violinist James Ehnes returns with Mendelssohn's beloved Violin Concerto. Individual members of the Orchestra are highlighted throughout the program in Bartók's masterpiece, the Concerto for Orchestra, and the winds are imaginatively featured in Martin's Concerto for Seven Winds. A Philadelphia night to remember.

Grammy Award-winning violinist James Ehnes returns with Mendelssohn's beloved Violin Concerto. Individual members of the Orchestra are highlighted throughout the program in Bartók's masterpiece, the Concerto for Orchestra, and the winds are imaginatively featured in Martin's Concerto for Seven Winds. A Philadelphia night to remember.

The Philadelphia Orchestra’s Christopher Deviney, Principal Percussion, joins award-winning storyteller, Charlotte Blake Alston, at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind. Children ages 3-5 listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Concerts are 45 minutes long and are a great way for kids, families, daycares, and school groups to have fun with music.

The Philadelphia Orchestra’s Christopher Deviney, Principal Percussion, joins award-winning storyteller, Charlotte Blake Alston, at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind. Children ages 3-5 listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Concerts are 45 minutes long and are a great way for kids, families, daycares, and school groups to have fun with music.

Christopher Deviney, Principal Percussion, joins award-winning storyteller, Charlotte Blake Alston, for an interactive concert designed with our youngest audience members in mind.

The Philadelphia Orchestra’s Christopher Deviney, Principal Percussion, joins award-winning storyteller, Charlotte Blake Alston, at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind. Children ages 3-5 listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Concerts are 45 minutes long and are a great way for kids, families, daycares, and school groups to have fun with music.

There is no better showcase for "The Philadelphia Sound" than the music of Rachmaninoff. Two more orchestral masterpieces by Strauss and Hindemith spotlight every facet of this ensemble's unique musical character.

There is no better showcase for "The Philadelphia Sound" than the music of Rachmaninoff. Two more orchestral masterpieces by Strauss and Hindemith spotlight every facet of this ensemble's unique musical character.

The classical and elegant stylings of Emanuel Ax draw out the finest textures of Mozart's impeccable writing. Frühbeck emphasizes the robust and full-bodied sounds of Brahms's lush orchestration. It's a perfect Philadelphia partnership of artists and music.

The classical and elegant stylings of Emanuel Ax draw out the finest textures of Mozart's impeccable writing. Frühbeck emphasizes the robust and full-bodied sounds of Brahms's lush orchestration. It's a perfect Philadelphia partnership of artists and music.

The classical and elegant stylings of Emanuel Ax draw out the finest textures of Mozart's impeccable writing. Frühbeck emphasizes the robust and full-bodied sounds of Brahms's lush orchestration. It's a perfect Philadelphia partnership of artists and music.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

Spanish guitar, flamenco rhythms, and thrilling orchestral colors. Frühbeck uniquely induces rousing scenes from his homeland of Spain.

Spanish guitar, flamenco rhythms, and thrilling orchestral colors. FrÜhbeck uniquely induces rousing scenes from his homeland of Spain.

Spanish guitar, flamenco rhythms, and thrilling orchestral colors. FrÜhbeck uniquely induces rousing scenes from his homeland of Spain.

Philadelphia Orchestra horn player Shelley Showers joins award-winning storyteller Charlotte Blake Alston at the next Sound All Around program for our youngest audience members.

Philadelphia Orchestra horn player Shelley Showers joins award-winning storyteller Charlotte Blake Alston at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind.

Philadelphia Orchestra horn player Shelley Showers joins award-winning storyteller Charlotte Blake Alston at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind.

Philadelphia Orchestra horn player Shelley Showers joins award-winning storyteller Charlotte Blake Alston at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind.

Music for the jazz hall, the ballet stage, and the silver screen. Gershwin's jazzy Rhapsody in Blue is presented for the first time in over 40 years on The Philadelphia Orchestra's subscription concerts. Bernstein's film score stands the test of time and Tchaikovsky's ballet is one of his most iconic works.

Music for the jazz hall, the ballet stage, and the silver screen. Gershwin's jazzy Rhapsody in Blue is presented for the first time in over 40 years on The Philadelphia Orchestra's subscription concerts. Bernstein's film score stands the test of time and Tchaikovsky's ballet is one of his most iconic works.

Music for the jazz hall, the ballet stage, and the silver screen. Gershwin's jazzy Rhapsody in Blue is presented for the first time in over 40 years on The Philadelphia Orchestra's subscription concerts. Bernstein's film score stands the test of time and Tchaikovsky's ballet is one of his most iconic works.

Beneath the simplicity of Mozart's final piano concerto lies one of the most subtle and perfect architectural structures in music. Composed less than a year before Mozart's untimely death, this concerto evokes a variety of intensely personal and painful experiences. By turns mysterious, luminous, and tragic, this kaleidoscope of sound is magically held together by a blend of elegance and poignancy.

Beyond the Score® is produced by the Chicago Symphony Orchestra

Gerard McBurney, Creative Director, Beyond the Score®

Gianandrea Noseda returns to lead a whirlwind tour, beginning in his native Italy with Rossini's famous William Tell Overture. First Associate Concertmaster Juliette Kang is featured as soloist in Prokofiev's bounding Violin Concerto No. 1, written at the time of the Russian Revolution. The program concludes with a sojourn to Scotland with Mendelssohn's Symphony No. 3.

Gianandrea Noseda returns to lead a whirlwind tour, beginning in his native Italy with Rossini's famous William Tell Overture. First Associate Concertmaster Juliette Kang is featured as soloist in Prokofiev's bounding Violin Concerto No. 1, written at the time of the Russian Revolution. The program concludes with a sojourn to Scotland with Mendelssohn's Symphony No. 3.

Gianandrea Noseda returns to lead a whirlwind tour, beginning in his native Italy with Rossini's famous William Tell Overture. First Associate Concertmaster Juliette Kang is featured as soloist in Prokofiev's bounding Violin Concerto No. 1, written at the time of the Russian Revolution. The program concludes with a sojourn to Scotland with Mendelssohn's Symphony No. 3.

Mozart was inspired by the beauty and culture of Prague nearly 100 years before Dvorak composed his profound and melodious Symphony No. 7. James Conlon joins the Orchestra, continuing a close friendship for the past 35 years.

Mozart was inspired by the beauty and culture of Prague nearly 100 years before Dvorak composed his profound and melodious Symphony No. 7. James Conlon joins the Orchestra, continuing a close friendship for the past 35 years.

Mozart was inspired by the beauty and culture of Prague nearly 100 years before Dvorak composed his profound and melodious Symphony No. 7. James Conlon joins the Orchestra, continuing a close friendship for the past 35 years.

Celebrate and discover the talents of young Philadelphia artists as the extraordinary winners of The Philadelphia Orchestra's Albert M. Greenfield Student Competition perform for you. Join our host, internationally-renowned violinist Leila Josefowicz, as she introduces us to tomorrow's musical stars. Some go on to celebrated solo careers, and some even become members of the world-famous Philadelphia Orchestra.

Salonen, the former music director of the Los Angeles Philarmonic, now crosses between worlds as a foremost composer and conductor. In a rare Philadelphia appearance, Salonen leads his own Violin Concerto plus Debussy's incandescent sea-scape, La Mer.

Salonen, the former music director of the Los Angeles Philarmonic, now crosses between worlds as a foremost composer and conductor. In a rare Philadelphia appearance, Salonen leads his own Violin Concerto plus Debussy's incandescent sea-scape, La Mer.

Salonen, the former music director of the Los Angeles Philarmonic, now crosses between worlds as a foremost composer and conductor. In a rare Philadelphia appearance, Salonen leads his own Violin Concerto plus Debussy's incandescent sea-scape, La Mer.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra’smusicians as individuals, with their unique talents and musical personalities.

Stravinsky's virtuosic score colorfully illustrates the charming tale of a puppet that comes to life and falls in love. Bronfman takes on the towering Bartók Second Piano Concerto, a demanding work for soloist and orchestra alike.

Stravinsky's virtuosic score colorfully illustrates the charming tale of a puppet that comes to life and falls in love. Bronfman takes on the towering Bartók Second Piano Concerto, a demanding work for soloist and orchestra alike.

Stravinsky's virtuosic score colorfully illustrates the charming tale of a puppet that comes to life and falls in love. Bronfman takes on the towering Bartók Second Piano Concerto, a demanding work for soloist and orchestra alike.

There's dreadful news from the concert hall—the composer is dead! In this perplexing murder mystery, everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. Discover the instruments of the orchestra as the Inspector interrogates all of the usual suspects. Living composer Nathaniel Stookey joins The Philadelphia Orchestra to narrate his preposterously irresistible work, with text by popular children's author Lemony Snicket.

The most shattering personal crisis of Tchaikovsky's life--his ill-conceived marriage to a young student in 1877--coincided with one of the greatest periods of his composing career. Over a mere two years, he poured out a stream of masterpieces, culminating in his Fourth Symphony, a 19th-century Russian music drama to rival the great literary dramas of Pushkin and Tolstoy. The young Russian knew he had achieved something extraordinary, calling his symphony "better than anything I've done so far.".

Beyond the Score® is produced by the Chicago Symphony Orchestra

Three mighty giants of Russian music--Tchaikovsky, Rimsky-Korsakov, and Shostakovich. After several highly-praised appearances, Jaap van Zweden returns to lead Tchaikovsky's beloved Fourth Symphony, which complements Rimsky-Korsakov's solemn Russian Easter Overture. Shostakovich's Chamber Symphony features the Orchestra's virtuosic strings.

Three mighty giants of Russian music--Tchaikovsky, Rimsky-Korsakov, and Shostakovich. After several highly-praised appearances, Jaap van Zweden returns to lead Tchaikovsky's beloved Fourth Symphony, which complements Rimsky-Korsakov's solemn Russian Easter Overture. Shostakovich's Chamber Symphony features the Orchestra's virtuosic strings.

Join us as Philadelphia Orchestra musicians Joseph Conyers, assistant principal bass; Daniel Matsukawa, principal bassoon; Jeffrey Lang, associate principal horn (4/21); Shelley Showers, horn (4/23); and Christopher Deviney, principal percussion; create a very special ensemble for the final Sound All Around program of the season.

Join us as Philadelphia Orchestra musicians Joseph Conyers, assistant principal bass; Daniel Matsukawa, principal bassoon; Jeffrey Lang, associate principal horn (4/21); Shelley Showers, horn (4/23); and Christopher Deviney, principal percussion; create a very special ensemble for the final Sound All Around program of the season.

Join us as Philadelphia Orchestra musicians Joseph Conyers, assistant principal bass; Daniel Matsukawa, principal bassoon; Jeffrey Lang, associate principal horn (4/21); Shelley Showers, horn (4/23); and Christopher Deviney, principal percussion; create a very special ensemble for the final Sound All Around program of the season.

Join us as Philadelphia Orchestra musicians Joseph Conyers, assistant principal bass; Daniel Matsukawa, principal bassoon; Jeffrey Lang, associate principal horn (4/21); Shelley Showers, horn (4/23); and Christopher Deviney, principal percussion; create a very special ensemble for the final Sound All Around program of the season.

Simon Rattle, in a rare US guest-conducting appearance, leads the sweeping and expressive Third symphonies of both Brahms and Schumann. These create an ideal framework for the revolutionary style of Webern's hyper-romantic Six Pieces for Orchestra. Rattle and Philadelphia, a partnership not to be missed.

Simon Rattle, in a rare US guest-conducting appearance, leads the sweeping and expressive Third symphonies of both Brahms and Schumann. These create an ideal framework for the revolutionary style of Webern's hyper-romantic Six Pieces for Orchestra. Rattle and Philadelphia, a partnership not to be missed.

Simon Rattle, in a rare US guest-conducting appearance, leads the sweeping and expressive Third symphonies of both Brahms and Schumann. These create an ideal framework for the revolutionary style of Webern's hyper-romantic Six Pieces for Orchestra. Rattle and Philadelphia, a partnership not to be missed.

Charles Dutoit tours two centuries of music from the City of Light ranging from the luminous music of Mozart and Saint-Saëns to the large and impressive forces of Debussy and Scriabin. Concertmaster David Kim is featured.

Charles Dutoit tours two centuries of music from the City of Light ranging from the luminous music of Mozart and Saint-Saëns to the large and impressive forces of Debussy and Scriabin. Concertmaster David Kim is featured.

Strauss's scandalous retelling of Sophocles's Greek tragedy is imagined through an impossibly-demanding score for a large orchestra and a brave cast of daring singers. In 1909, and perhaps still today, this was the most progressive and daunting operatic work ever written. A century later these performances are the pinnacle of Maestro Dutoit's tenure.

Strauss's scandalous retelling of Sophocles's Greek tragedy is imagined through an impossibly-demanding score for a large orchestra and a brave cast of daring singers. In 1909, and perhaps still today, this was the most progressive and daunting operatic work ever written. A century later these performances are the pinnacle of Maestro Dutoit's tenure.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra’smusicians as individuals, with their unique talents and musical personalities.

In his only American orchestral appearance this season, legendary master Maurizio Pollini honors Maestro Dutoit in an epic season finale. The sensual music of Ravel's Daphnis and Chloé brings a crescendo to the celebration of our revered Maestro. Only in Philadelphia!

In his only American orchestral appearance this season, legendary master Maurizio Pollini honors Maestro Dutoit in an epic season finale. The sensual music of Ravel's Daphnis and Chloébrings a crescendo to the celebration of our revered Maestro. Only in Philadelphia!

The Rittenhouse Square Committee presents one-hour lecture presentation featuring musicians, musicologists, and composers who illuminate the music of that afternoon’s concert, followed by a celebrity guest and a catered luncheon.

The Rittenhouse Square Committee presents one-hour lecture presentation featuring musicians, musicologists, and composers who illuminate the music of that afternoon’s concert, followed by a celebrity guest and a catered luncheon.

The Rittenhouse Square Committee presents one-hour lecture presentation featuring musicians, musicologists, and composers who illuminate the music of that afternoon’s concert, followed by a celebrity guest and a catered luncheon.

The Rittenhouse Square Committee presents one-hour lecture presentation featuring musicians, musicologists, and composers who illuminate the music of that afternoon’s concert, followed by a celebrity guest and a catered luncheon.

Lecture Luncheons are open to the public. To join or renew, make your donation today.

Opening Night Concert and Gala of The Philadelphia Orchestra will be held at the University of Pennsylvania on October 13.

The concert, which is led by Chief Conductor Charles Dutoit will be performed at the historic Irvine Auditorium in the Perelman Quad. The concert begins at 7:00 PM as originally scheduled and will be performed without intermission. The Gala Dinner, which immediately follows the concert, will be held at the University of Pennsylvania Museum of Archeology and Anthropology.

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with Daniel Matsukawa, Philadelphia Orchestra's Principal Bassoon.

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with guest artist Stewart Goodyear.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Charles Dutoit and esteemed guest artist Gautier Capucon rehearsing the following pieces.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Marin Alsop and esteemed guest artist Ricardo Morales rehearsing the following pieces.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Rafael Fruhbeck de Burgos and esteemed guest artist Emanuel Ax rehearsing the following pieces.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Esa-Pekka Salonen and esteemed guest artist Leila Josefowicz rehearsing the following pieces.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Charles Dutoit and esteemed concert master David Kim rehearsing the following pieces.

Musicians’ Circle donors and above can enjoy an exclusive pre-rehearsal breakfast and conversation with Maestro Gianandrea Noseda prior to the rehearsal. Breakfast begins at 9:30 AM at the Kimmel Center in the Rendell Room (located on Tier 1) with rehearsal beginning promptly at 10:30 AM in Verizon Hall.

Maestro Noseda and esteemed violinist Juliette Kang will rehearse the following pieces.

Rossini Overture to William Tell
Prokofiev Violin Concerto No. 1
Mendelssohn Symphony No. 3 (“Scottish”)

Maestro’s Circle Partners, Champions, and Fabulous Philadelphians enjoy the opportunity to travel with our musicians on The Philadelphia Orchestra’s train to New York and to enjoy dinner and a concert at Carnegie Hall(fees apply).

Brahms called this his "Human Requiem." He affirms a universal message of hope with some of his most glorious music as Yannick continues his exploration of the great requiems.

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with guest artist Yefim Bronfman.

Salon Series events are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

The Philadelphia Orchestra returns once again for a performance in the magnificent Academy of Music.

CIGNA presents The Philadelphia Orchestra’s 21st Annual Free Martin Luther King Jr. Tribute Concert. Celebrate the life and work of Dr. Martin Luther King Jr. with this free community concert. Guest Conductor Thomas Wilkins leads The Philadelphia Orchestra, speaker Charlotte Blake Alston, and the Philadelphia All City Choir. Combining the traditions of African-American culture and Western classical music, the concert pays tribute to Dr. King’s vision of a society free of prejudice and racial divisions, and his belief in the power of music to help create positive change.

Celebrate the life and work of Dr. Martin Luther King Jr. with this free community concert.

Hear highlights of Yannick's inaugural season as music director, and enjoy happy hour specials at the Wolfgang Puck PECO Bar and live entertainment by PhilOrch Jazz.

Add these once-in-a-lifetime events to your subscription today! Be the first to do so and enjoy the Orchestra once again within this glorious building--The Academy of Music. These performances are sure to sell-out. Act fast before we offer these programs for sale to the general public in late March.

Add these once-in-a-lifetime events to your subscription today! Be the first to do so and enjoy the Orchestra once again within this glorious building--The Academy of Music. These performances are sure to sell-out. Act fast before we offer these programs for sale to the general public in late March.

Add these once-in-a-lifetime events to your subscription today! Be the first to do so and enjoy the Orchestra once again within this glorious building--The Academy of Music. These performances are sure to sell-out. Act fast before we offer these programs for sale to the general public in late March.

Add these once-in-a-lifetime events to your subscription today! Be the first to do so and enjoy the Orchestra once again within this glorious building--The Academy of Music. These performances are sure to sell-out. Act fast before we offer these programs for sale to the general public in late March.

Don't miss the event of the season on October 18, 2012. Make plans now for a festive evening of music between two close musical collaborators-opera star Renée Fleming joins Yannick at his special invitation for his inaugural celebration. Join us for a toast as we welcome Yannick to Philadelphia!

A monumental work for a monumental occasion--the inaugural concerts of The Philadelphia Orchestra's eighth music director. Continuing his exploration of the great requiems, Yannick has assembled an international cast of spectacular vocalists for the profound drama and operatic style of Verdi's revered Requiem. The thundering of the famous "Dies irae," the brass choirs throughout the hall, and the multitude of voices raised to the heavens combine to create a powerful musical experience that will kickoff this remarkable season.

A monumental work for a monumental occasion--the inaugural concerts of The Philadelphia Orchestra's eighth music director. Continuing his exploration of the great requiems, Yannick has assembled an international cast of spectacular vocalists for the profound drama and operatic style of Verdi's revered Requiem. The thundering of the famous "Dies irae," the brass choirs throughout the hall, and the multitude of voices raised to the heavens combine to create a powerful musical experience that will kickoff this remarkable season.

A monumental work for a monumental occasion--the inaugural concerts of The Philadelphia Orchestra's eighth music director. Continuing his exploration of the great requiems, Yannick has assembled an international cast of spectacular vocalists for the profound drama and operatic style of Verdi's revered Requiem. The thundering of the famous "Dies irae," the brass choirs throughout the hall, and the multitude of voices raised to the heavens combine to create a powerful musical experience that will kickoff this remarkable season.

Violinist Joshua Bell returns to Philadelphia, performing Bernstein's lyrical Serenade, inspired by the great Greek philosophers and their testimonies on love and romance. The second half of the program features the Fourth Symphony of Brahms, long a favorite of Philadelphia audiences, known for its expressive melodies and rich harmonies. To open the program, Gabriela Lena Frank composes a celebratory new work--commissioned for the inaugural concerts of our new music director. Her music often reflects her diverse heritage from Peru, China, and Lithuania.

Violinist Joshua Bell returns to Philadelphia, performing Bernstein's lyrical Serenade, inspired by the great Greek philosophers and their testimonies on love and romance. The second half of the program features the Fourth Symphony of Brahms, long a favorite of Philadelphia audiences, known for its expressive melodies and rich harmonies. To open the program, Gabriela Lena Frank composes a celebratory new work--commissioned for the inaugural concerts of our new music director. Her music often reflects her diverse heritage from Peru, China, and Lithuania.

Violinist Joshua Bell returns to Philadelphia, performing Bernstein's lyrical Serenade, inspired by the great Greek philosophers and their testimonies on love and romance. The second half of the program features the Fourth Symphony of Brahms, long a favorite of Philadelphia audiences, known for its expressive melodies and rich harmonies. To open the program, Gabriela Lena Frank composes a celebratory new work--commissioned for the inaugural concerts of our new music director. Her music often reflects her diverse heritage from Peru, China, and Lithuania.

Howdy, pardner! Jamie Bernstein, daughter of famed conductor and composer Leonard Bernstein, returns to Philadelphia with an exciting and interactive concert featuring the music of Aaron Copland. Put on your favorite cowboy getup for this Western-themed concert, and mosey on down to the Kimmel Center to hear how Copland’s music evokes the adventure, beauty, and spirit of the American West.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra’s musicians as individuals, with their unique talents and musical personalities.

As America elects its president, celebrate our democracy with composers whose music is as varied as the American landscape. Copland's Appalachian Spring portrays the American countryside with brilliant simplicity, while Gershwin's Piano Concerto in F is propelled by the urban energy of New York's jazz clubs. The music of Puerto Rican-born Roberto Sierra is known for its rhythmic propulsion and danceable melodies. Experience the Philadelphia premiere of his Sinfonia No.

As America elects its president, celebrate our democracy with composers whose music is as varied as the American landscape. Copland's Appalachian Spring portrays the American countryside with brilliant simplicity, while Gershwin's Piano Concerto in F is propelled by the urban energy of New York's jazz clubs. The music of Puerto Rican-born Roberto Sierra is known for its rhythmic propulsion and danceable melodies. Experience the Philadelphia premiere of his Sinfonia No.

As America elects its president, celebrate our democracy with composers whose music is as varied as the American landscape. Copland's Appalachian Spring portrays the American countryside with brilliant simplicity, while Gershwin's Piano Concerto in F is propelled by the urban energy of New York's jazz clubs. The music of Puerto Rican-born Roberto Sierra is known for its rhythmic propulsion and danceable melodies. Experience the Philadelphia premiere of his Sinfonia No.

Inspired by Stokowski's original program of December 1935, when The Philadelphia Orchestra presented the U.S. premiere of Poulenc's Double Piano Concerto, Emmanuel Krivine presents a pairing of repertoire drawn directly from the archives. Recent graduates of the Curtis Institute of Music, twins Christina and Michelle Naughton play the Concerto with a unity of sound that astonishes. Franck's D minor Symphony and Stokowski's orchestration of Bach's Toccata and Fugue in D minor are trademarks of the "Philadelphia Sound."

Inspired by Stokowski's original program of December 1935, when The Philadelphia Orchestra presented the U.S. premiere of Poulenc's Double Piano Concerto, Emmanuel Krivine presents a pairing of repertoire drawn directly from the archives. Recent graduates of the Curtis Institute of Music, twins Christina and Michelle Naughton play the Concerto with a unity of sound that astonishes. Franck's D minor Symphony and Stokowski's orchestration of Bach's Toccata and Fugue in D minor are trademarks of the "Philadelphia Sound."

Inspired by Stokowski's original program of December 1935, when The Philadelphia Orchestra presented the U.S. premiere of Poulenc's Double Piano Concerto, Emmanuel Krivine presents a pairing of repertoire drawn directly from the archives. Recent graduates of the Curtis Institute of Music, twins Christina and Michelle Naughton play the Concerto with a unity of sound that astonishes. Franck's D minor Symphony and Stokowski's orchestration of Bach's Toccata and Fugue in D minor are trademarks of the "Philadelphia Sound."

Prokofiev's overpowering score for large orchestra, chorus, and mezzo-soprano soloist is accompanied by Sergei Eisenstein's cinematic masterpiece. Sergei Eisenstein filmed this black-and-white masterpiece under the watchful eye of Stalin's reign. It portrays a proud event in Russian history: Nevsky's 13th-century victory over an invading army of Teutonic Crusaders.

Prokofiev's overpowering score for large orchestra, chorus, and mezzo-soprano soloist is accompanied by Sergei Eisenstein's cinematic masterpiece. Sergei Eisenstein filmed this black-and-white masterpiece under the watchful eye of Stalin's reign. It portrays a proud event in Russian history: Nevsky's 13th-century victory over an invading army of Teutonic Crusaders.

Prokofiev's overpowering score for large orchestra, chorus, and mezzo-soprano soloist is accompanied by Sergei Eisenstein's cinematic masterpiece. Sergei Eisenstein filmed this black-and-white masterpiece under the watchful eye of Stalin's reign. It portrays a proud event in Russian history: Nevsky's 13th-century victory over an invading army of Teutonic Crusaders.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra’s musicians as individuals, with their unique talents and musical personalities.

Take a musical journey from French Impressionism to jazz. Debussy's Images contains some of his boldest writing. The charming suite from Poulenc's ballet Les Biches, originally composed for the Ballets Russes, is filled with humorous, syncopated melodies. In An American in Paris, Gershwin vividly depicts taxi horns, smoky cafés, and falling in love in the City of Light.

Take a musical journey from French Impressionism to jazz. Debussy's Images contains some of his boldest writing. The charming suite from Poulenc's ballet Les Biches, originally composed for the Ballets Russes, is filled with humorous, syncopated melodies. In An American in Paris, Gershwin vividly depicts taxi horns, smoky cafés, and falling in love in the City of Light.

Take a musical journey from French Impressionism to jazz. Debussy's Images contains some of his boldest writing. The charming suite from Poulenc's ballet Les Biches, originally composed for the Ballets Russes, is filled with humorous, syncopated melodies. In An American in Paris, Gershwin vividly depicts taxi horns, smoky cafés, and falling in love in the City of Light.

Stokowski regularly performed entire evenings of Wagner's music with The Philadelphia Orchestra. On the bicentennial of Wagner's birth, Donald Runnicles, one of the world's leading Wagnerian specialists, presents orchestral highlights from the Ring of the Nibelung in the spirit of Stokowski. Beethoven's Piano Concerto No. 1 is a showcase for the brilliant and tempestuous composer's piano virtuosity.

Stokowski regularly performed entire evenings of Wagner's music with The Philadelphia Orchestra. On the bicentennial of Wagner's birth, Donald Runnicles, one of the world's leading Wagnerian specialists, presents orchestral highlights from the Ring of the Nibelung in the spirit of Stokowski. Beethoven's Piano Concerto No. 1 is a showcase for the brilliant and tempestuous composer's piano virtuosity.

Stokowski regularly performed entire evenings of Wagner's music with The Philadelphia Orchestra. On the bicentennial of Wagner's birth, Donald Runnicles, one of the world's leading Wagnerian specialists, presents orchestral highlights from the Ring of the Nibelung in the spirit of Stokowski. Beethoven's Piano Concerto No. 1 is a showcase for the brilliant and tempestuous composer's piano virtuosity.

Deck the halls and come-a-caroling with The Philadelphia Orchestra for a festive celebration filled with your favorite sounds of the season, sing-alongs, and of course, Santa! Kick your holidays off right with music from The Nutcracker, Sleigh Ride, and ’Twas the Night Before Christmas, narrated by award-winning storyteller Charlotte Blake Alston. You never know what surprises may appear, so jingle all the way to Verizon Hall and don’t miss out!

Rachmaninoff said that he would "rather perform with The Philadelphia Orchestra than any other of the world." A relationship fostered by Stokowski, Rachmaninoff maintained a long-term connection to Philadelphia, appearing as both soloist and conductor. He even recorded the beloved Third Piano Concerto with the Orchestra in 1939. His Symphony No. 2, perhaps his greatest work, is filled with longing melodies and sweeping solos that highlight the amazing musicians of our Orchestra. These performances are supported by the Sergei Rachmaninoff Foundation.

Rachmaninoff said that he would "rather perform with The Philadelphia Orchestra than any other of the world." A relationship fostered by Stokowski, Rachmaninoff maintained a long-term connection to Philadelphia, appearing as both soloist and conductor. He even recorded the beloved Third Piano Concerto with the Orchestra in 1939. His Symphony No. 2, perhaps his greatest work, is filled with longing melodies and sweeping solos that highlight the amazing musicians of our Orchestra. These performances are supported by the Sergei Rachmaninoff Foundation.

Rachmaninoff said that he would "rather perform with The Philadelphia Orchestra than any other of the world." A relationship fostered by Stokowski, Rachmaninoff maintained a long-term connection to Philadelphia, appearing as both soloist and conductor. He even recorded the beloved Third Piano Concerto with the Orchestra in 1939. His Symphony No. 2, perhaps his greatest work, is filled with longing melodies and sweeping solos that highlight the amazing musicians of our Orchestra. These performances are supported by the Sergei Rachmaninoff Foundation.

Tchaikovsky wrote seven symphonies, but the Third is an-often neglected masterpiece. It gets its nickname, the "Polish," from the energetic folk dances of the finale. Recent MacArthur Genius Grant recipient Alisa Weilerstein is featured as soloist in Elgar's noble Cello Concerto.

Tchaikovsky wrote seven symphonies, but the Third is an-often neglected masterpiece. It gets its nickname, the "Polish," from the energetic folk dances of the finale. Recent MacArthur Genius Grant recipient Alisa Weilerstein is featured as soloist in Elgar's noble Cello Concerto.

Tchaikovsky wrote seven symphonies, but the Third is an-often neglected masterpiece. It gets its nickname, the "Polish," from the energetic folk dances of the finale. Recent MacArthur Genius Grant recipient Alisa Weilerstein is featured as soloist in Elgar's noble Cello Concerto.

Named for the Orchestra’s best-selling Christmas album, these concerts are an ideal way to begin your celebrations on a joyous note! The Orchestra lends its lush “Philadelphia Sound” to an evening of timeless holiday favorites.

Named for the Orchestra’s best-selling Christmas album, these concerts are an ideal way to begin your celebrations on a joyous note! The Orchestra lends its lush “Philadelphia Sound” to an evening of timeless holiday favorites.

Named for the Orchestra’s best-selling Christmas album, these concerts are an ideal way to begin your celebrations on a joyous note! The Orchestra lends its lush “Philadelphia Sound” to an evening of timeless holiday favorites.

A Philadelphia Orchestra tradition since 1961, this concert has become as much a part of the season as the movie classic It's a Wonderful Life. This performance sells out year after year, so order your tickets for this annual event today!

Ring in the New Year with The Philadelphia Orchestra! Start your evening with a festive concert which ends in time for you to continue on with your own celebrations.

It is The Philadelphia Orchestra as you rarely hear it, our virtuosic musicians coming together as an ensemble to shape a musical interpretation that is all their own. Concertmaster David Kim leads Mozart's A Little Night Music from his seat at the front of the violin section as it would have been done in Mozart's time, without a conductor. The frenetic beginning of Symphony No. 25 was chosen to open the memorable film Amadeus.

It's The Philadelphia Orchestra as you rarely hear it, our virtuosic musicians coming together as an ensemble to shape a musical interpretation that is all their own. Concertmaster David Kim leads Mozart's A Little Night Music from his seat at the front of the violin section as it would have been done in Mozart's time, without a conductor. The frenetic beginning of Symphony No. 25 was chosen to open the memorable film Amadeus.

It's The Philadelphia Orchestra as you rarely hear it, our virtuosic musicians coming together as an ensemble to shape a musical interpretation that is all their own. Concertmaster David Kim leads Mozart's A Little Night Music from his seat at the front of the violin section as it would have been done in Mozart's time, without a conductor. The frenetic beginning of Symphony No. 25 was chosen to open the memorable film Amadeus.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra’s musicians as individuals, with their unique talents and musical personalities.

La Valse is one of the greatest orchestral showpieces ever written. A master of orchestration, Ravel begins with an innocent waltz that builds to a raucous climax, only to come crashing down at the end in spectacular fashion. Shostakovich, equally brilliant in his use of the orchestra, composed some of his most profound - and politically subversive - music in his Fifth Symphony.

La Valse is one of the greatest orchestral showpieces ever written. A master of orchestration, Ravel begins with an innocent waltz that builds to a raucous climax, only to come crashing down at the end in spectacular fashion. Shostakovich, equally brilliant in his use of the orchestra, composed some of his most profound - and politically subversive - music in his Fifth Symphony.

La Valse is one of the greatest orchestral showpieces ever written. A master of orchestration, Ravel begins with an innocent waltz that builds to a raucous climax, only to come crashing down at the end in spectacular fashion. Shostakovich, equally brilliant in his use of the orchestra, composed some of his most profound - and politically subversive - music in his Fifth Symphony.

Yannick's recordings of Bruckner are hailed by critics. Our new maestro believes the great Philadelphia Sound is perfectly suited for Bruckner's rich, bold orchestrations. Yannick considers Bruckner to be one of his favorite composers and in his first season as music director, he imparts his own passionate conviction about this great Viennese master. Bruckner himself was deeply influenced by Wagner, especially after attending a performance of Wagner's opera Parsifal.

Yannick's recordings of Bruckner are hailed by critics. Our new maestro believes the great Philadelphia Sound is perfectly suited for Bruckner's rich, bold orchestrations. Yannick considers Bruckner to be one of his favorite composers and in his first season as music director, he imparts his own passionate conviction about this great Viennese master. Bruckner himself was deeply influenced by Wagner, especially after attending a performance of Wagner's opera Parsifal.

Few pieces in the history of the art of music have achieved the iconic power and reputation of Beethoven's Fifth Symphony. In this awe-inspiringly concentrated composition, Beethoven not only invented a musical language of an unparalleled originality and overpowering force which still influences us today, but swept music out of the concert hall and into the wider world of human thought and experience. For more than 200 years, this symphony has shown us that music has the power to transform the way we live and think.

Philadelphia favorite André Watts returns to Philadelphia, joining forces with the revered Maestro Frühbeck performing Beethoven's grandest piano concerto, the "Emperor." Liszt, a super-star pianist in his own right, also composed brilliant tone poems such as Les Préludes. And Hindemith further stretches the demands of the orchestra in his compelling Concert Music for Strings and Brass. This program also features another charming orchestration by Stokowski of Bach's "Sleepers Awake."

Philadelphia favorite André Watts returns to Philadelphia, joining forces with the revered Maestro Frühbeck performing Beethoven's grandest piano concerto, the "Emperor." Liszt, a super-star pianist in his own right, also composed brilliant tone poems such as Les Préludes. And Hindemith further stretches the demands of the orchestra in his compelling Concert Music for Strings and Brass. This program also features another charming orchestration by Stokowski of Bach's "Sleepers Awake."

Orff's raucous retelling of 24 medieval poems praises springtime, love, lust, and fortune. It requires a huge orchestra and a chorus singing a mix of old languages. The riveting choral refrains of "O Fortuna" open and close Carmina burana. While many sections of this iconic work have been re-used in movies and commercials, nothing equals the power when you hear this live, in its entirety.

Orff's raucous retelling of 24 medieval poems praises springtime, love, lust, and fortune. It requires a huge orchestra and a chorus singing a mix of old languages. The riveting choral refrains of "O Fortuna" open and close Carmina burana. While many sections of this iconic work have been re-used in movies and commercials, nothing equals the power when you hear this live, in its entirety.

Orff's raucous retelling of 24 medieval poems praises springtime, love, lust, and fortune. It requires a huge orchestra and a chorus singing a mix of old languages. The riveting choral refrains of "O Fortuna" open and close Carmina burana. While many sections of this iconic work have been re-used in movies and commercials, nothing equals the power when you hear this live, in its entirety.

Come one, come all, to our musical zoo. Hear the sounds all around; it’s a neat thing to do! Meet a mule and a swan and a crazy cuckoo. If you’re lucky, you might hear an elephant, too. Miss Charlotte returns, and you’ll think she’s swell. Along with two sisters, named Christina and Michelle. Come hear our great music, and come hear our rhymes. At our carnival of fun, it’s the grandest of times!

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra’s musicians as individuals, with their unique talents and musical personalities.

Stravinsky's Rite of Spring received its U.S. premieres in both staged and concert versions right here in Philadelphia, under Stokowski's direction. Now, in a first-of-its-kind partnership with Philadelphia Live Arts, The Philadelphia Orchestra collaborates with the New York-based Ridge Theater Company to present a 21st- century treatment of The Rite of Spring with dancers, video projection, and theatrical lighting. Philadelphia also gave the first American performances of Ravel's Piano Concerto in G, which will be performed by star soloist Jean-Yves Thibaudet.

Stravinsky's Rite of Spring received its U.S. premieres in both staged and concert versions right here in Philadelphia, under Stokowski's direction. Now, in a first-of-its-kind partnership with Philadelphia Live Arts, The Philadelphia Orchestra collaborates with the New York-based Ridge Theater Company to present a 21st- century treatment of The Rite of Spring with dancers, video projection, and theatrical lighting. Philadelphia also gave the first American performances of Ravel's Piano Concerto in G, which will be performed by star soloist Jean-Yves Thibaudet.

Stravinsky's Rite of Spring received its U.S. premieres in both staged and concert versions right here in Philadelphia, under Stokowski's direction. Now, in a first-of-its-kind partnership with Philadelphia Live Arts, The Philadelphia Orchestra collaborates with the New York-based Ridge Theater Company to present a 21st- century treatment of The Rite of Spring with dancers, video projection, and theatrical lighting. Philadelphia also gave the first American performances of Ravel's Piano Concerto in G, which will be performed by star soloist Jean-Yves Thibaudet.

Composed for the Ballets Russes, Stravinsky's Rite of Spring remains one of the most powerful, unique, and challenging orchestral pieces ever written. The modern costumes, sets, and choreography ignited a riot at its Paris premiere. Here, the work will be performed in the concert version without any additional visual elements. Stravinsky's masterpiece is contrasted by Schumann's first great symphonic success - a work with a more festive and romantic view of spring - his ebullient Symphony No. 1. This is paired with Haydn's bright and lively Symphony No. 38 to open the program.

Seventy-five years ago, under extreme political pressure, Shostakovich withdrew his Fourth Symphony and got to work on writing his now-legendary Fifth Symphony. The result was an appealing and triumphant score full of contradictions and hidden messages. Is it a tribute to the greatness of the Soviet virtues or a parody of its leadership? How could an artist create a work of such power and optimism under such harsh and restrictive conditions? The enigma of Shostakovich's message will unfold before your eyes in this dramatic presentation of the composer's life and world.

Beethoven is able to make the most profound statements by taking the simplest gestures and motifs, and expanding them into grand symphonies. His Eroica Symphony was originally dedicated to Napoleon, but perhaps the real hero of this symphony is the composer himself. Beethoven was a revolutionary of his time and continues to influence music being written today. Mozart was equally progressive, especially in his Piano Concerto No. 20 which was unusual for its bold, syncopated rhythms and chromatic melodies.

Beethoven is able to make the most profound statements by taking the simplest gestures and motifs, and expanding them into grand symphonies. His Eroica Symphony was originally dedicated to Napoleon, but perhaps the real hero of this symphony is the composer himself. Beethoven was a revolutionary of his time and continues to influence music being written today. Mozart was equally progressive, especially in his Piano Concerto No. 20 which was unusual for its bold, syncopated rhythms and chromatic melodies.

Beethoven is able to make the most profound statements by taking the simplest gestures and motifs, and expanding them into grand symphonies. His Eroica Symphony was originally dedicated to Napoleon, but perhaps the real hero of this symphony is the composer himself. Beethoven was a revolutionary of his time and continues to influence music being written today. Mozart was equally progressive, especially in his Piano Concerto No. 20 which was unusual for its bold, syncopated rhythms and chromatic melodies.

Venerated conductor Christoph von Dohnanyi leads an all-Austrian program of two Viennese masters - Schubert and Bruckner. Schubert's beloved "Unfinished" Symphony has taken a rightful place among the standards of the repertoire, even if we may never understand why he abandoned the work after just two enduring movements. Bruckner's Fourth Symphony was his first great symphonic success, yet he never seemed to be satisfied either, continuing to improve and tinker with the final score. The result is a breathtaking work that inspires audiences every time it's performed.

Venerated conductor Christoph von Dohnanyi leads an all-Austrian program of two Viennese masters - Schubert and Bruckner. Schubert's beloved "Unfinished" Symphony has taken a rightful place among the standards of the repertoire, even if we may never understand why he abandoned the work after just two enduring movements. Bruckner's Fourth Symphony was his first great symphonic success, yet he never seemed to be satisfied either, continuing to improve and tinker with the final score. The result is a breathtaking work that inspires audiences every time it's performed.

Venerated conductor Christoph von Dohnanyi leads an all-Austrian program of two Viennese masters - Schubert and Bruckner. Schubert's beloved "Unfinished" Symphony has taken a rightful place among the standards of the repertoire, even if we may never understand why he abandoned the work after just two enduring movements. Bruckner's Fourth Symphony was his first great symphonic success, yet he never seemed to be satisfied either, continuing to improve and tinker with the final score. The result is a breathtaking work that inspires audiences every time it's performed.

The program opens with the imperial "Entrance of the Gods" from Das Rheingold at the very beginning of the Ring. Then, skipping past 16 hours of Wagner's music, American composer Christopher Rouse imagines a postlude to the Ring and uses the final chords of Götterdämmerung as the opening of his percussion concerto. A 1997 co-commission by The Philadelphia Orchestra, Der gerettete Alberich (Alberich Saved) is brought back this season in honor of the Wagner bi-centennial.

The program opens with the imperial "Entrance of the Gods" from Das Rheingold at the very beginning of the Ring. Then, skipping past 16 hours of Wagner's music, American composer Christopher Rouse imagines a postlude to the Ring and uses the final chords of Götterdämmerung as the opening of his percussion concerto. A 1997 co-commission by The Philadelphia Orchestra, Der gerettete Alberich (Alberich Saved) is brought back this season in honor of the Wagner bi-centennial.

The program opens with the imperial "Entrance of the Gods" from Das Rheingold at the very beginning of the Ring. Then, skipping past 16 hours of Wagner's music, American composer Christopher Rouse imagines a postlude to the Ring and uses the final chords of Götterdämmerung as the opening of his percussion concerto. A 1997 co-commission by The Philadelphia Orchestra, Der gerettete Alberich (Alberich Saved) is brought back this season in honor of the Wagner bi-centennial.

Let the rhythm move you as percussion takes center stage with the energy and excitement of world-renowned soloist Colin Currie and the West African musical traditions of the Bernard Woma Ensemble. Experience the unique sounds of the gyil—an African xylophone—and other African percussion combined with Western orchestral instruments in the revolutionary Gyil Jumbie Concerto. Turn the beat around with The Philadelphia Orchestra!

Originally premiered on Good Friday in 1727, Bach's setting of the Gospel of St. Matthew features solo voices, children's choir, double choir, and a double orchestra. Yannick re-introduces this passion oratorio--not performed by the Orchestra in nearly 30 years--over the Easter weekend.

Originally premiered on Good Friday in 1727, Bach's setting of the Gospel of St. Matthew features solo voices, children's choir, double choir, and a double orchestra. Yannick re-introduces this passion oratorio--not performed by the Orchestra in nearly 30 years--over the Easter weekend.

Garrick Ohlsson's powerful yet graceful style is the perfect match for Brahms's First Piano Concerto. With the endearing melodies and waltzes from his opera Der Rosenkavalier Richard Strauss elicits exceptionally powerful sounds from the orchestra. Schoenberg's most enduring work, Transfigured Night, is a mysteriously romantic piece that highlights the richness of the Philadelphia strings.

Garrick Ohlsson's powerful yet graceful style is the perfect match for Brahms's First Piano Concerto. With the endearing melodies and waltzes from his opera Der Rosenkavalier Richard Strauss elicits exceptionally powerful sounds from the orchestra. Schoenberg's most enduring work, Transfigured Night, is a mysteriously romantic piece that highlights the richness of the Philadelphia strings.

Garrick Ohlsson's powerful yet graceful style is the perfect match for Brahms's First Piano Concerto. With the endearing melodies and waltzes from his opera Der Rosenkavalier Richard Strauss elicits exceptionally powerful sounds from the orchestra. Schoenberg's most enduring work, Transfigured Night, is a mysteriously romantic piece that highlights the richness of the Philadelphia strings.

In 1936, after nearly 20 years in the West, Prokofiev returned to his native Russia, now the Soviet Union, where he found it more difficult than he had thought to write music to please the Communist authorities. But when war came in 1941, the atmosphere changed. The regime needed artists to inspire and lead. Prokofiev played his part, and, as the tide of war turned in 1944, he created one of his most paradoxical and yet melodious masterpieces.

The premiere of Prokofiev's Fifth Symphony was the pinnacle of his career. Composed in the final days of World War II, the symphony is marked by the optimism of impending victory. While Prokofiev's Symphony is firmly rooted in a Russian style, Tchaikovsky's Souvenir de Florence is inspired by his infatuation with the sights and sounds of Italy. This work, originally scored for string sextet, will be performed in an expanded version for the full strings of The Philadelphia Orchestra.

The premiere of Prokofiev's Fifth Symphony was the pinnacle of his career. Composed in the final days of World War II, the symphony is marked by the optimism of impending victory. While Prokofiev's Symphony is firmly rooted in a Russian style, Tchaikovsky's Souvenir de Florence is inspired by his infatuation with the sights and sounds of Italy. This work, originally scored for string sextet, will be performed in an expanded version for the full strings of The Philadelphia Orchestra.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra’s musicians as individuals, with their unique talents and musical personalities.

The Brandenburg Concertos of Bach are the flagship works of the Baroque era. Virtuosic soloists from The Philadelphia Orchestra will be featured in four of these sparkling and propulsive works. The performance is further enhanced by Baroque specialist Nicholas McGegan who brings a fresh and animated approach to these familiar masterworks. Even the famous "Air on the G String" from Bach's Third Orchestral Suite will sound like never before.

The Brandenburg Concertos of Bach are the flagship works of the Baroque era. Virtuosic soloists from The Philadelphia Orchestra will be featured in four of these sparkling and propulsive works. The performance is further enhanced by Baroque specialist Nicholas McGegan who brings a fresh and animated approach to these familiar masterworks. Even the famous "Air on the G String" from Bach's Third Orchestral Suite will sound like never before.

The Brandenburg Concertos of Bach are the flagship works of the Baroque era. Virtuosic soloists from The Philadelphia Orchestra will be featured in four of these sparkling and propulsive works. The performance is further enhanced by Baroque specialist Nicholas McGegan who brings a fresh and animated approach to these familiar masterworks. Even the famous "Air on the G String" from Bach's Third Orchestral Suite will sound like never before.

The Philadelphia Orchestra celebrates Vivaldi, Venice, and violins in this compelling mystery set in the early 1700s about an orphan girl, Katarina, who is in search of her roots. A central clue to the story is a missing Stradivarius violin that the Duke of Cremona has brought to Vivaldi’s school of the Pietà in the hope of finding his long-lost grandchild. Watch as the drama unfolds, accompanied by music from Vivaldi’s most popular and important works.

While Brahms struggled over his First Symphony for nearly two decades, he composed his radiant second symphony in a burst of creativity over a few short months. It's pastoral qualities were inspired by the bucolic setting where he wrote this score in the summer of 1877. Conversely, Elgar's spirited Cockaigne Overture, "In London Town" draws its character from the urban sounds of marching bands, church bells and drunken revelers. Curtis graduate Jonathan Biss returns to perform Mozart's rarely-heard Piano Concerto No. 13.

While Brahms struggled over his First Symphony for nearly two decades, he composed his radiant second symphony in a burst of creativity over a few short months. It's pastoral qualities were inspired by the bucolic setting where he wrote this score in the summer of 1877. Conversely, Elgar's spirited Cockaigne Overture, "In London Town" draws its character from the urban sounds of marching bands, church bells and drunken revelers. Curtis graduate Jonathan Biss returns to perform Mozart's rarely-heard Piano Concerto No. 13.

While Brahms struggled over his First Symphony for nearly two decades, he composed his radiant second symphony in a burst of creativity over a few short months. It's pastoral qualities were inspired by the bucolic setting where he wrote this score in the summer of 1877. Conversely, Elgar's spirited Cockaigne Overture, "In London Town" draws its character from the urban sounds of marching bands, church bells and drunken revelers. Curtis graduate Jonathan Biss returns to perform Mozart's rarely-heard Piano Concerto No. 13.

Hilary Hahn returns to Philadelphia for Korngold's Violin Concerto. This colorful and cinematic score stemmed from his success in Hollywood writing many treasured film soundtracks. Trademark fanfares, folk melodies, and thunderous crescendos punctuate Mahler's first symphony, along with humorous folk tunes and inventive orchestrations. Plus a chance to hear a rarely-heard and vibrant work by another 20th century master, Strauss's Love Scene from his opera Feuersnot.

Hilary Hahn returns to Philadelphia for Korngold's Violin Concerto. This colorful and cinematic score stemmed from his success in Hollywood writing many treasured film soundtracks. Trademark fanfares, folk melodies, and thunderous crescendos punctuate Mahler's first symphony, along with humorous folk tunes and inventive orchestrations. Plus a chance to hear a rarely-heard and vibrant work by another 20th century master, Strauss's Love Scene from his opera Feuersnot.

Hilary Hahn returns to Philadelphia for Korngold's Violin Concerto. This colorful and cinematic score stemmed from his success in Hollywood writing many treasured film soundtracks. Trademark fanfares, folk melodies, and thunderous crescendos punctuate Mahler's first symphony, along with humorous folk tunes and inventive orchestrations. Plus a chance to hear a rarely-heard and vibrant work by another 20th century master, Strauss's Love Scene from his opera Feuersnot.

The Orchestra enjoys a historic connection with the great Finnish master Jean Sibelius--Stokowski led the U.S. premieres of his last three symphonies. Rattle conducts the final two, together without interruption. Musical mega-star and Curtis graduate Lang Lang performs Beethoven's Third Piano Concerto, a revolutionary work that foreshadowed the Romantic era in music. Plus a kinetic work by young American composer Andrew Norman. The title "Unstuck" refers to the moment when he overcame writers block and began composing at a furious pace.

The Orchestra enjoys a historic connection with the great Finnish master Jean Sibelius--Stokowski led the U.S. premieres of his last three symphonies. Rattle conducts the final two, together without interruption. Musical mega-star and Curtis graduate Lang Lang performs Beethoven's Third Piano Concerto, a revolutionary work that foreshadowed the Romantic era in music. Plus a kinetic work by young American composer Andrew Norman. The title "Unstuck" refers to the moment when he overcame writers block and began composing at a furious pace.

The Orchestra enjoys a historic connection with the great Finnish master Jean Sibelius--Stokowski led the U.S. premieres of his last three symphonies. Rattle conducts the final two, together without interruption. Musical mega-star and Curtis graduate Lang Lang performs Beethoven's Third Piano Concerto, a revolutionary work that foreshadowed the Romantic era in music. Plus a kinetic work by young American composer Andrew Norman. The title "Unstuck" refers to the moment when he overcame writers block and began composing at a furious pace.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra’s musicians as individuals, with their unique talents and musical personalities.

Featured in Disney's Fantasia, the "Pastoral" Symphony paints vivid scenes of gathering thunderstorms, wandering brooks, and breezy country sides. Both Webern's Passacaglia and Berg's Wozzeck received their U.S. premieres in Philadelphia as part of Stokowski's vision for 20th-century music. Barbara Hannigan stuns audiences with her dramatic portrayal (and provocative costuming) in scenes from Ligeti's thrilling opera, Le Grande Macabre.

Featured in Disney's Fantasia, the "Pastoral" Symphony paints vivid scenes of gathering thunderstorms, wandering brooks, and breezy country sides. Both Webern's Passacaglia and Berg's Wozzeck received their U.S. premieres in Philadelphia as part of Stokowski's vision for 20th-century music. Barbara Hannigan stuns audiences with her dramatic portrayal (and provocative costuming) in scenes from Ligeti's thrilling opera, Le Grande Macabre.

Featured in Disney's Fantasia, the "Pastoral" Symphony paints vivid scenes of gathering thunderstorms, wandering brooks, and breezy country sides. Both Webern's Passacaglia and Berg's Wozzeck received their U.S. premieres in Philadelphia as part of Stokowski's vision for 20th-century music. Barbara Hannigan stuns audiences with her dramatic portrayal (and provocative costuming) in scenes from Ligeti's thrilling opera, Le Grande Macabre.

Eastern Europe comes alive in Janácek's Sinfonietta, a festive work with a stunning opening brass fanfare that includes 12 trumpets. A folk ethos likewise infuses the music of Enescu and Dvorák; the latter credited Brahms with the success of his career, as the elder composer encouraged him greatly. The famous Violin Concerto of Brahms is performed by the incomparable Gil Shaham.

Eastern Europe comes alive in Janácek's Sinfonietta, a festive work with a stunning opening brass fanfare that includes 12 trumpets. A folk ethos likewise infuses the music of Enescu and Dvorák; the latter credited Brahms with the success of his career, as the elder composer encouraged him greatly. The famous Violin Concerto of Brahms is performed by the incomparable Gil Shaham.

Eastern Europe comes alive in Janácek's Sinfonietta, a festive work with a stunning opening brass fanfare that includes 12 trumpets. A folk ethos likewise infuses the music of Enescu and Dvorák; the latter credited Brahms with the success of his career, as the elder composer encouraged him greatly. The famous Violin Concerto of Brahms is performed by the incomparable Gil Shaham.

Student Finalists selected from the 2012 Albert M. Greenfield Student Preliminary Auditions compete for the opportunity to perform as a soloist with The Philadelphia Orchestra during the 2012-13 season. These auditions will take place with the finalists performing on the stage of Verizon Hall in front of a live audience. The annual Philadelphia Orchestra Albert M. Greenfield Student Competition is open to all accomplished young instrumentalists, pianists, and vocalists, who reside in, or study regularly with a teacher who resides in the Greater Philadelphia area.